Loading...
HomeMy WebLinkAboutSubmittal-Gilberto Pastoriza-Historic Designation Report• • • • • • • • • • • 0 0 0 0 0 0 0 0 0 0 0 0 0 • • • • • • • • • • • • • • • • HISTORIC DESIGNATION OF ST. JUDE MELKITE CATHOLIC CHURCH 1501 Brickell Avenue Miami, Florida Prepared For: • Wasim Shomar and Raffoul Ajami • 45 Almeria Avenue Coral Gables, FL 33134 February 24, 2016 Compiled By: Heritage Architectural Associates 4770 Alton Road Miami Beach, Florida 33140 Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk ® 15-01(ol2h&- (Mnlit 41-6ilber}-a PaSr"bri21— I-1iiriric ae ignarir) e.196 )— • • • • • • • • • • • • • • • • • • • • • • • • • HISTORIC DESIGNATION OF ST. JUDE MELKITE CATHOLIC CHURCH 1501 Brickell Avenue Miami, Florida Prepared By: Steven Avdakov, R.A., Principal, Heritage Architectural Associates Deborah Griffin, Heritage Architectural Associates Submitted By: Steven Avdakov, R.A. Principal Heritage Architectural Associates 4770 Alton Road Miami Beach, Florida 33140 305.761.3642 • Submitted To: • • Wasim Shomar and Raffoul Ajami • 45 Almeria Avenue • Coral Gables, FL 33134 • • • February 24, 2016 • • • • • • • Submitted into the public • record for item(s) PZ.7 • on 02/25/2016, City Clerk • • • • • • ABSTRACT • • • Designation as an historic site is being sought for St. Jude Melkite Catholic Church, 1501 • Brickell Avenue, Miami, Florida, per the City of Miami's Historic Preservation Ordinance. • Heritage Architectural Associates was commissioned to research, identify, and evaluate • the architectural, artistic and historical significance of the property. • • To meet the criteria for designation as an historic site, the building must derive its • primary significance from its architecture, artistic distinction, and historical importance • rather than for its religious purpose. • • • In evaluating the significance of the building, Heritage Architectural Associates • conducted extensive research into the history of the building and the companies that • were involved in its construction. Specifically, the firm compiled information pertaining • to ongoing efforts to designate the building, conducted site visits, photographed the • • building, conducted site visits to other locally -designated religious structures, and • conducted research into the architect, builder, and art glass fabricator. • • Analysis of the information produced the conclusion that St. Jude Melkite Catholic • • Church is significant for its architecture, artistic merit and historical connotations, and • the building should be designated as a historic site per the City of Miami's Historic • Preservation Ordinance. • • • • • • • • • • Submitted into the public • iii record for item(s) PZ.7 • on 02/25/2016, City Clerk • iDr••••••••••••••• • • • TABLE OF CONTENTS LIST OF FIGURES V INTRODUCTION 1 METHODOLOGY 2 CONTEXT OF DESIGNATION OF RELIGIOUS STRUCTURES — City of Miami 3 ARCHITECTURAL DESCRIPTION 6 HISTORIC DESIGNATION OF ST. JUDE MELKITE CATHOLIC CHURCH 8 DETERMINATION OF PRIMARY SIGNIFICANCE 9 ARCHITECTURAL SIGNIFICANCE Architect 10 Builder 15 Design 17 Shape / Form 18 Fenestration — Windows 24 Materials — Limestone 26 ARTISTIC SIGNIFICANCE 29 Limestone Ornament at Entrance 29 Art Glass Fabricator 30 • Art Glass 33 • • URBAN CONTEXT 36 • HISTORIC ARCHITECTURAL INTEGRITY 38 • • SIGNIFICANCE VERSUS USE 39 • • ADAPTIVE USE — Religious Structures 41 • PRIMARY SIGNIFICANCE 43 • • CONCLUSION 44 • • REFERENCES .45 APPENDIX A 55 • • Submitted into the public • iv record for item(s) PZ.7 • on 02/25/2016, City Clerk • • • • • • LIST OF FIGURES Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • 1. Bryan Memorial Methodist Church 3 • 2. Central Baptist Church. 3 • 3. Christ Episcopal Church. 3 4. Ebenezer Methodist Church. (House of God of Nazarene Church) 3 • 5. First Church of Christ Scientist. 4 • 6. First Presbyterian Church. 4 • 7. Gesu Church and Rectory 4 • 8. Greater Bethel A.M.E. Church. 4 • 9. Mt Zion Baptist Church 4 • 10. Plymouth Congregational Church. 4 11. St. Agnes Episcopal Church. 5 • 12. St. John's Baptist Church (New St. John Institutional Baptist Church). 5 • 13. Trinity Episcopal Cathedral. 5 • 14. Map of site depicting designation boundary. 7 • 15. Area map depicting location of building 7 • 16. Henry D. Dagit, Sr. c. 1906. 10 17. Dagit Brothers, 1950s. 10 • 18. Immaculate Conception Chapel, Rosemont College, 1940. 11 • 19. Stained glass depicting women saints at Immaculate Conception Chapel. 11 • 20. Architectural drawing for Monastery at Villanova University. 11 • 21. Monastery, Villanova University, 1934. 11 • 22. Basilica of Saints Cyril and Methodius, Danville, Pennsylvania, 1939. 12 23. Architectural drawing of Cathedral of Christ the King 12 • 24. Cathedral of Christ the King, Atlanta, 1939. 12 • 25. St. Katherine of Siena Church, Wayne, Pennsylvania, presented with the • Architectural Honor Award won by Henry D. Dagit & Sons for the design of the • church, 1960s. 13 • 26. Exterior of award -winning St. Katherine of Siena Church, Wayne, Pennsylvania13 • 27. Interior of award -winning St. Katherine of Siena Church, Wayne, Pennsylvania. 13 28. Ravenhill Academy Chapel, Philadelphia, 1938. 14 • 29. Architectural drawing of northeast elevation, Ravenhill Chapel, 1938 14 • 30. Architectural drawing of southwest elevation, Ravenhill Chapel, 1938. 14 • 31. President John F. Kennedy Speaks at Cornerstone -Laying Ceremony for Rayburn • House Office Building, May 1962 15 • 32. President John F. Kennedy with US Ambassador to Ireland, Matthew H. McCloskey, Oval Office July, 1962 15 • 33. Rayburn House Office Building, Washington DC, 1965. 16 • 34. U.S. Customs House Philadelphia, 1932. 16 • 35. Philadelphia Inquirer Rotogravure Building, 1948. 16 • 36. Little Flower Catholic High School for Girls Philadelphia, c. 1938. 16 • 37. Holy Redeemer Chinese Catholic Church Philadelphia, 1941. 16 • v • • • • Submitted into the public • record for item(s) PZ.7 • on 02/25/2016, City Clerk • 38. View of the building from the intersection of Brickell Avenue and SE 15- Road. 1/ • 39. Original architectural drawing of First Floor Plan 18 40. Diagram of a simple Romanesque floor plan. 18 • 41. Original architectural drawing of 15th Road (eastern) elevation. 20 • 42. Eastern elevation depicting Narthex. 20 • 43. Original architectural drawing of Brickell Avenue (northern) elevation. 21 • 44. Northern elevation depicting Narthex, Nave, and Transept. 21 • 45. Original architectural drawing of west elevation depicting Apse. 22 • 46. Western elevation depicting Apse. 22 47. Original architectural drawing of southern elevation. 23 • 48. Southern elevation depicting Nave and Transept. 23 • 49. Original architectural drawing of windows. 24 • 50. Windows at Brickell Avenue (northern) elevation. 24 • 51. Barbed quatrefoil window at gable end of eastern elevation, above Narthex. 25 • 52. Barbed quatrefoil window at gable end of western elevation. 25 53. Original architectural drawing of barbed quatrefoil window 25 • 54. Detail of barbed quatrefoil window. 25 • 55. Original architectural drawing of wall section illustrating limestone cladding system. • 26 • 56. Detail of coursed ashlar bonding pattern. 26 • 57. Original architectural drawing depicting ornamental limestone at gable at front (eastern) elevation 27 • 58. Ornamental limestone at gable at front (eastern) elevation. 27 • 59. First Church of Christ, Scientist, Biscayne Boulevard. 28 • 60. Original architectural drawing of ornamental detailing at main entrance. 29 • 61. Main entrance with ornamental detailing 29 • 62. National Cathedral Washington DC. 30 • 63. Detail of art glass at National Cathedral. 30 64. Cadet Chapel US Military Academy West Point. 31 • 65. Art glass window in Cadet Chapel 31 • 66. Church Center for the United Nations New York City. 31 • 67. Detail of art glass in Church Center. 31 • 68. Alice C. Millar Chapel, Northwestern University, Chicago 31 • 69. Detail of art glass in Millar Chapel. 31 70. Sketch depicting window layout at the Brickell Avenue (northern) elevation 32 • 71. Sketch depicting window layout at the southern elevation. 32 • 72. Sketch depicting window layout at the western elevation. 32 • 73. Sketch depicting window layout at the eastern elevation. 32 • 74. Art glass windows at the southern Nave. 33 75. Art glass windows in the northern Transept. 34 III 76. Barbed quatrefoil art glass window in the Narthex 34 • 77. Art glass window in the northern Nave. 34 • 78. Art glass window at the southern Nave 35 • 79. Art glass window at the southern Transept 35 • vi • di • • • • • 80. Detail of bottom panel of art glass window at the northern Nave. 35 • 81. Detail of bottom panel of art glass window at the northern Nave. 35 82. 1952 aerial photo of Brickell Avenue 36 • 83. 2016 aerial photo of Brickell Avenue. 36 • 84. First Presbyterian Church, 609 Brickell Avenue 37 • 85. View of Brickell Avenue looking south with First Presbyterian in foreground 37 • 86. St. Jude Melkite Catholic Church, 1501 Brickell Avenue. 37 • 87. View of Brickell Avenue looking south with St. Jude in the distance. 37 • 88. Strong Place Baptist Church, Brooklyn, New York. 41 89. Grace Baptist Temple, Philadelphia, Pennsylvania 41 • 90. Charles Street Meeting House, Boston, Massachusetts 42 • 91. Dayton First Baptist Church, Dayton, Oregon 42 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • vii Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • • INTRODUCTION • • St. Jude Melkite Catholic Church (St. Jude) was constructed in 1946 as the chapel for • Assumption Academy, a Catholic girls' school that was founded and operated by the • sisters of the Religious of the Assumption. The Academy was operated in Miami from 1942 until it closed in 1976. After the closure, the portion of the property containing • the chapel was sold to the Diocese of Newton for the Melkites in the United States. • Other portions of the property were sold to developers. The Melkite congregation held • its first mass in the former chapel in 1977, and the building was rededicated as St. Jude • Melkite Catholic Church in 1978. • Local designation as an historic site is being sought for the building per the City's • Historic Preservation Ordinance. As part of that effort, Heritage Architectural Associates • was commissioned to research, identify, and evaluate the architectural, artistic and historical significance of the property. • This report is intended to provide the following: • 1. A general overview of the City of Miami's Historic Preservation Ordinance and • how it relates to the designation of religious structures. 2. A general overview of efforts to designate the structure. • 3. A description and analysis of the architectural significance of the building. • • 4. A description and analysis of the artistic significance of the building. • 5. A description and analysis of the historical significance of the building. • 6. A comparison of the building's significance with its current use. • • 7. A determination of the building's primary significance. • • The scope of this report is limited to the exterior of the church building (former chapel) • • • • • • only. No other buildings or structures were reviewed for inclusion in this report. • • • • Submitted into the public • 1 record for item(s) PZ.7 • on 02/25/2016, City Clerk • • • • • METHODOLOGY • • CONTEXTUAL RESEARCH • • • • • • • • • • • • • • • • • • At the commencement of the study, all documentation associated with the previous designation effort was compiled and reviewed, including the Designation Report • produced for the City of Miami's Historic and Environmental Preservation Board. The • details of the legal case and the City's Historic Preservation Ordinance were also • reviewed. • • FIELD INVESTIGATION • The building was photographed during site visits in January and February, 2016. • Additionally, other locally -designated religious structures were visited and photographed for comparison. • • HISTORIC RESEARCH • Extensive research was conducted regarding the architect, builder, and art glass • fabricator. Other designated religious structures in Miami were identified and • investigated. The National Register of Historic Places database and several state and • local historic registries were also consulted. Research was also undertaken regarding • the adaptive re -use of historic religious structures. Additionally, historic maps and aerial • photos were consulted to develop a historic context of the immediate post —World War II development of Brickell Avenue. • • Submitted into the public • 2 record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • • CONTEXT OF DESIGNATION OF RELIGIOUS • STRUCTURES - City of Miami • • • • • • In 1980, the City of Miami passed a Historic Preservation Ordinance to ensure the preservation of the City's heritage. The historic site designation process is designed to encourage the preservation and protection of Miami's important historic, architectural, and archeological resources. Over 100 historic sites, districts and archeological zones have been designated thus far. • There is a long history of designating religious structures as historic sites in the City. • Two of the first 20 buildings (10%) designated as historic in Miami were religious • structures, and 13 of the current 104 locally designated historic sites (12.5%) are • religious structures. In addition, 7 of Miami's religious structures are listed on the • National Register of Historic Places. • • • • • • • • • • • • • • • • • • • • • • • • • • 1. Bryan Memorial Methodist Church. Locally designated (1997) 3. Christ Episcopal Church. Locally designated (2011) 3 2. Central Baptist Church. Locally designated (1988) National Register (1989) u Q. w t C 4. Ebenezer Methodist Church. cu (House of God of Nazarene Church) +� Locally designated (1988) i= cn record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 5. First Church of Christ Scientist. Locally designated (2015) 7. Gesu Church and Rectory. Locally designated (1982) National Register (1974) 9. Mt Zion Baptist Church. Locally designated (1988) National Register (1988) 4 6. First Presbyterian Church. Locally designated (2003) 8. Greater Bethel A.M.E. Church. Locally designated (2004) National Register (1992) 10. Plymouth Congregational Church. Locally designated (1982) National Register (1982) •• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 11. St. Agnes Episcopal Church. Locally designated (2003) 13. Trinity Episcopal Cathedral. National Register (1980) 12. St. John's Baptist Church (New St. John Institutional Baptist Church). Locally designated (1988) National Register (1992) • • • • Submitted into the public 5 record for item(s) PZ.7 • on 02/25/2016, City Clerk • • • • • • • • ARCHITECTURAL DESCRIPTION St. Jude Melkite Catholic Church is situated at the southwestern corner of Brickell Avenue and SE 15th Road in the city of Miami, Miami -Dade County, Florida. The building is oriented about a southwest to northeast axis that is parallel with Brickell Avenue, and the main entrance is at the northeastern end that fronts SE 15th Road. Other structures, owned by the Church but not part of the designation effort, are located to the 4,, immediate southeast of the building. The grounds surrounding the building are • landscaped with grassy lawn, palm trees and other vegetation. High-rise towers are • located to the south, east, and north of the site, while mid -rise buildings are located • across Brickell Avenue to the northwest. • The 2 Y2- story building features a mid-20th century interpretation of the Romanesque • style with Gothic window treatments. It is symmetrical, with a modified cruciform plan and an attached rectangular 2-story interpretation of an Apse rather than a traditional • rounded Apse. The main body of the building is topped by a cross gabled roof, while the • roof of the 2-story Apse has a hip configuration. One-story structures capped with shed • roofs are located at each intersection of the Transept and Nave. • The structure was built utilizing mid-20th century construction techniques. The foundation and walls are constructed of reinforced cast -in -place concrete. The walls are • clad in coursed ashlar Indiana limestone, and the roof is topped with curved clay tile. A • modillioned cornice of carved limestone is located at the primary fagade, and a carved • limestone cross is located at the top of the gable end. The side walls are capped with limestone cornice moldings. • • The main body of the building features Gothic -style lancet art glass windows situated in • groups of two or three. Each group has an art glass oculus (small round window) • located above and between the lancet points. The eastern and western elevations • feature Gothic barbed quatrefoil art glass windows located high in the gable ends. The 1-story structures at the eastern side of the Transept have quatrefoil windows over side • entrance doors. The 1-story structures at the western side of the Transept have no • doors but contain small windows. Small arched windows and square windows are III located at the side elevations of the Narthex. The Apse has metal casement windows of • plain glass at the first level and metal sliding windows of plain glass at the second level. • The window surrounds are beveled carved limestone. • The main entrance is accessed from a semi -circular stoop with three steps and metal handrails. Double wooden doors are surrounded by a carved limestone molding that is • topped by an ornate carved limestone cartouche and scroll. A carved limestone figure is • located in a recessed niche above the scroll. Double wooden entrance doors are located • at the side entrances at the transepts at the Brickell Avenue and south elevations and • • • 6 Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • • • • • • • • • • • /,� • • • • • �}1MbQ' ^3' 1 are topped by limestone scrolls and niches. A single wooden door is located at the western elevation and is topped by a limestone surround. • • • • • • • • • • • • • • • • • • • • • • • • • Th St a V- r m /- a / ' $��JO / , +�" ,/, • �Q�,G/ - lye Fvbto Su at AL P.O.B. mv[sttAEv b LOTt Ng 14. Map of site depicting designation boundary. Pe �In st a SW9thSI • SW9lhSt The Strops at M.ry n �tf.s vyw SW 10th St AlkYdl Staten a SW 101h SI XodoW Key d' SW 111h SI SW12I1St 4, so ab.Ee ElwooTOWY MoseuTTs Mooret Sdtwt SE 14.1 rt Islond &sked Key Claughlon Island N SEl4thu, 11501 Mimi Ain cr'' St Jude Melkite Catholic Church 1501 Wicket! Avenue .!ins Es1.Yi _! 15. Area map depicting location of building. 7 Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • HISTORIC DESIGNATION OF • ST. JUDE MELKITE CATHOLIC CHURCH • • BACKGROUND • In April, 2013, the historic site designation of St. Jude Melkite Catholic Church was • reviewed by the City's Historic and Environmental Preservation Board (HEPB). The Board • voted 4-2 in favor of designation, but because the ordinance requires 5 affirmative votes • to pass, the measured failed. In July, 2013, the application was appealed to the Miami • City Commission. The City Commission voted unanimously to approve the designation • of the building. • The Diocese of Newton Melkite Church appealed the decision to the Eleventh Judicial • Circuit, Appellate Division in September, 2014, which ruled that the City's argument did • not comply with the required determination of "primary significance". The court stated • that: • the building must derive "its primary significance from its architecture, • artistic distinction, or historical importance rather than its religious • purpose" • The designation was quashed and remanded to the City for determination of "primary • significance", and the opinion was upheld on appeal to the Third District Court of • Appeals. • • DESIGNATION CRITERIA • The building must derive its primary significance from its architecture, artistic • distinction, and historical importance rather than for its religious purpose. • • The property has been nominated for designation as a historic site under the following • criteria as detailed in Chapter 23, Section 23-4(a) of the Miami City Code: • (3) exemplify the historical, cultural, political, economical, or social • trends of the community; • (5) embody those distinguishing characteristics of an architectural style, • or period, or method of construction; • (6) are an outstanding work of a prominent designer or builder • • • • • Submitted into the public • 8 record for item(s) PZ.7 • on 02/25/2016, City Clerk • • • • • DETERMINATION OF PRIMARY SIGNIFICANCE • • In accordance with Miami's Historic Preservation Ordinance, Chapter 23, Section 23-4(a) • of the Miami City Code, in order to be designated a historic site, the building must • derive its primary significance from its architecture, artistic distinction, and historical importance rather than for its religious purpose. • • This effort will review and analyze the building in terms of its: • • • Architectural Significance • • • Artistic Significance • • Historical Significance • • • • • • • • • • • • • • • • • • • • • • • • • • 9 • Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • • • ARCHITECTURAL SIGNIFICANCE • • Architect • Henry D. Dagit & Sons (1922-1959) • • Henry D. Dagit, Sr. opened his own architectural practice in • Philadelphia in 1888. The company name was changed to • Henry D. Dagit & Sons in 1922 when his sons Henry, Jr. and • Albert joined the firm. His son Charles jointed the firm in 1925. Henry Dagit, Sr. died in 1929, but his sons continued • the practice. • • Henry D. Dagit & Sons were prominent architects of Catholic churches and other religious facilities, such as schools, convents, and rectories. The family firm was a very successful competitor to E. F. Durang & Son, which was one • of the most prominent Catholic church architects in the • Philadelphia area. In fact, the Dagit firm received • commissions for modifications to several Durang-designed • buildings, including St. Nicholas of Tolentine Church, a National Register -listed property in Atlantic City, New Jersey. • • The Dagit firm's prolific body of work • included numerous projects in • Pennsylvania and New Jersey, with • commissions also in Washington DC, • Baltimore, Atlanta, Savannah and • Miami. A number of their buildings are either designated locally or on the • National Register of Historic Places, • including St. Katherine of Siena Church • and School in Wayne, Pennsylvania and • St. Katherine of Siena Church in • Baltimore. Additionally, some of the firm's buildings are documented in the • Library of Congress, such as Holy • Redeemer Chinese Catholic Church in • Philadelphia. • • • • 16. Henry D. Dagit, Sr. c. 1906. 17. Dagit Brothers, 1950s. From left, Charles, Albert, and Henry, Jr. Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • 10 One of their most acclaimed works was the Immaculate Conception Chapel (fig. 18) at Rosemont College, Rosemont, Pennsylvania. A distinctive feature of the chapel is that the art glass windows depict only women saints (fig 19). 18. Immaculate Conception Chapel, Rosemont College, 1940. 19. Stained glass depicting women saints at Immaculate Conception Chapel. Dagit & Sons designed numerous buildings on the campus of Villanova University, including the monastery (fig. 20-21) , the library, a dormitory, the law school, and the science building. cztvoiri 20. Architectural drawing for Monastery at Villanova University. 21. Monastery, Villanova University, 1934. Other college buildings designed by Dagit & Sons include the library and a dormitory at Chestnut Hill College in Philadelphia (National Register -listed). 11 Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • • Henry D. Dagit & Sons was the architect for the convent chapel of the Sisters of • Saints Cyril and Methodius in Danville, • Pennsylvania (fig. 22). The chapel was • completed in 1939. Pope John Paul II • elevated the chapel to the status of minor • basilica in 1989. • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • a 22. Basilica of Saints Cyril and Methodius, Danville, Pennsylvania, 1939. The Dagit-designed Cathedral of Christ the King in Atlanta, Georgia (figs. 23-24), was called the "most beautiful building in Atlanta" by the Architectural Record when it opened in 1939. 23. Architectural drawing of Cathedral of 24. Cathedral of Christ the King, Christ the King. 12 Atlanta, 1939. Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • ARCHITECTURAL HONOR. AWARD, which went to the Phila. Charles E. Dagit of hicrion, Father O'Donnell, Henry D. Dagit Jr. delphia firm of Henry D. Dagit & Sons for its striking design of the of Merlon and Leonard H. Dagit of Gladwyne. The citation "for new St. Katharine of Siena Church in Wayne, is presented by four outstanding excellence in architectural design" was awarded by the members of the firm to the Rev. William J. O'Donnell, pastor, for Pennsylvania Society of Architects. display in the church. Pictured are (from left) Henry D. Daait 3d. 25. St. Katherine of Siena Church, Wayne, Pennsylvania, presented with the Architectural Honor Award won by Henry D. Dagit & Sons for the design of the church, 1960s. 26. Exterior of award -winning St. Katherine of Siena Church, Wayne, Pennsylvania. 27. Interior of award -winning St. Katherine of Siena Church, Wayne, Pennsylvania. • • 13 Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • Ravenhill Chapel, Philadelphia • • • • • • • • • • • • • • • • • 28. Ravenhill Academy Chapel, Philadelphia, 1938. • • Ravenhill Academy in Philadelphia (figs. 28-30) was operated by Sisters of the Religious • of the Assumption from 1919 until the 1970s. The chapel was designed by Henry D. Dagit & Sons in 1938. Likely due to the successful commission at Ravenhill, Dagit & Sons • was chosen by the Religious of the Assumption to design the chapel at their new Miami • school in the 1940s. Ravenhill Chapel is now a part of Philadelphia University and is • used as studio and exhibit space. • • • • • • • • • Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • The Ravenhill campus, including the Chapel, was listed in the Philadelphia Register of Historic Places in 1973. 29. Architectural drawing of northeast elevation, 30. Architectural drawing of southwest elevation, Ravenhill Chapel, 1938. Ravenhill Chapel, 1938. 14 • • • • • • ARCHITECTURAL SIGNIFICANCE • • Builder • McCloskey & Company, Builders (1910-1970s) • • Matthew McCloskey founded his construction company in 1910 in Philadelphia, and it • subsequently became one of the largest construction firms in the nation. McCloskey & • Company is said to have "changed Philadelphia's skyline" with the construction of a • Convention Hall, the Sheraton Hotel and high-rise apartments on Rittenhouse Square. 1 • McCloskey & Company constructed numerous large public venues, including Veteran's • Stadium and the Spectrum Arena in Philadelphia and RFK Stadium in Washington DC. • Their numerous Federal commissions included the Rayburn House Office Building in • Washington DC (figs. 31, 33) and the U.S. Customs House in Philadelphia (fig. 34). • The firm worked closely with Henry D. Dagit & Sons on several projects including • Ravenhill Chapel (fig. 28), Immaculate Conception Chapel at Rosemont College (fig. 18), • Little Flower Catholic High School for Girls (fig. 36), and Holy Redeemer Chinese Catholic • Church and School (fig. 37), all in the Philadelphia area. • • • • • • • • • • • • • • • • • • • • • Founder Matthew McCloskey left the firm when he was appointed Ambassador to Ireland by President John F. Kennedy in 1962. 31. President John F. Kennedy Speaks at Cornerstone -Laying Ceremony for Rayburn House Office Building, May 1962. 32. President John F. Kennedy with US Ambassador to Ireland, Matthew H. McCloskey, Oval Office July, 1962. Submitted into the public record for item(s) PZ.7 • on 02/25/2016, City Clerk • 1 http://spartacus-educational.com/JFKmccloskey.htm 15 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Selected McCloskey Projects 33. Rayburn House Office Building, Washington DC, 1965. 34. U.S. Customs House Philadelphia, 1932. 36. Little Flower Catholic High School for Girls Philadelphia, c. 1938. Henry D. Dagit & Sons, architect 16 35. Philadelphia Inquirer Rotogravure Building, 1948. 37. Holy Redeemer Chinese Catholic Church Philadelphia, 1941. Henry D. Dagit & Sons, architect Submitted into the public. record for items) PZ.7 on 02/25/2016, City Clerk • • • • • • • • • • • 0 • • • • • • • • • • • • • • The size and scale of the building is representative of a significant civic structure • constructed in the area south of Downtown Miami in the mid-1940s. The building • reflects the era of early post-war development in Miami prior to the advent of high-rise • buildings along Brickell Avenue. • • The shape and form reflect an interpretation of Romanesque ecclesiastical architecture • with mid-20th century modifications. Many of the traditional Romanesque elements are • retained but are simplified and streamlined. The application of stone veneer over a cast -in -place concrete structural system is a modern construction technique that • conveys the appearance of traditional masonry construction. The use of limestone • veneer provides a sense of solidity and timelessness to the building. The building's • fenestration, with long narrow Gothic -style lancet windows, reinforces the verticality of • the architecture. • • • 17 • ARCHITECTURAL SIGNIFICANCE Design 38. View of the building from the intersection of Brickell Avenue and SE 15th Road. Architectural significance is conveyed through the building design and the design elements that express a mid-20th century interpretation of the traditional Romanesque ecclesiastical form. Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • ARCHITECTURAL SIGNIFICANCE Shape / Form 39. Original architectural drawing of First Floor Plan. 40. Diagram of a simple Romanesque floor plan. The shape and form of the structure are significant features that convey the traditional elements of Romanesque ecclesiastical architecture interpreted in a mid-20th century design. The building is symmetrically arranged in the traditional cruciform plan (fig. 39), and its scale is representative of civic structures in early postwar Miami. The building was constructed using the modern technique of stone veneer over concrete rather than the traditional masonry construction. The traditional Romanesque elements such as Narthex, Nave, Transepts, Chancel, and Apse are present but have been simplified in this interpretive expression. The symmetrical Narthex (main entrance to the church) is clearly demarcated by its • narrower width and forward projection from the main body of the structure (figs. 41- 42). • • 18 Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • • The side elevations reflect an expression of traditional Romanesque features with a • continuous gable roof over the Nave. The Transepts project only slightly from the Nave, rather than the deeply projecting Transepts of the literal Romanesque style, and are • defined by a cross gable at the roofline (figs. 43-44, 47-48). The Apse, which traditionally • is rounded, has been interpreted as a rectangular 2-story attachment to the building's • western end (figs. 45-46). • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • 19 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 41. Original architectural drawing of 15`h Road (eastern) elevation. 42. Eastern elevation depicting Narthex. 20 Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • BRICKELL AVE ELEVATION 43. Original architectural drawing of Brickell Avenue (northern) elevation. •w®=11•__--=®m- 11111-4 PIO IIC! 11\1 \\\�11\�1\\�\�\\�\����� 44. Northern elevation depicting Narthex, Nave, and Transept. 21 Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 45. Original architectural drawing of west elevation depicting Apse. 46. Western elevation depicting Apse. 22 Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk 40 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 47. Original architectural drawing of southern elevation. 48. Southern elevation depicting Nave and Transept. 23 Submitted into the public record for item(s) PZ.7 on 02 25 2016, City Clerk • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • The window openings contain Gothic -style lancet windows (figs. 49-50), expressed in • groups of two or three with oculus (round) windows situated above and between the • lancet tops. Windows in the Nave are paired, and windows in the Transepts are • composed in groups of three windows. The prominent and symmetrical location of the • Gothic barbed quatrefoil windows (figs. 51-54) at the upper level of the gable ends • reinforces the main axis and orientation of the building. • • ARCHITECTURAL SIGNIFICANCE Fenestration — Windows 2 %/EN, LAIC,/ PE.c LAFICEr SEE F.S. DETAIL LI qt,1., Onst: A ¢ DECI 49. Original architectural drawing of windows. 50. Windows at Brickell Avenue (northern) elevation. • • • Fenestration is an important feature of the building's interpreted design. Windows are recessed from the plane of the facade to reinforce the solidity and permanence of the structure. Verticality is emphasized by the long narrow vertical openings that are separated by narrow vertical bands of limestone. Submitted into the public record for item(s) PZ.7 • � on 02/25/2016, City Clerk 24 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 51. Barbed quatrefoil window at gable end of eastern elevation, above Narthex. 53. Original architectural drawing of barbed quatrefoil window. 25 52. Barbed quatrefoil window at gable end of western elevation. 54. Detail of barbed quatrefoil window. Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • ARCHITECTURAL SIGNIFICANCE Materials — Limestone 55. Original architectural drawing of wall section illustrating limestone cladding system. lfr 56. Detail of coursed ashlar bonding pattern. One of most significant architectural features of the building is the use of limestone. Traditionally used for civic structures, limestone provides a sense of timelessness and permanence. The exterior walls of the building are clad in a veneer of Indiana limestone (fig. 55). The limestone is laid up in a coursed ashlar pattern, with courses of varying heights. The variations in color of the stone, the subdivision of the individual units, and the joint patterns between the courses define the primary character of the exterior of the building (fig. 56). Additionally, as the fenestration is recessed from the plane of the fagade and is framed with beveled limestone surrounds, the appearance of the traditional solidity of masonry walls is conveyed. 26 Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • • • • • • • • • • • • • • • • • 57. Original architectural drawing depicting ornamental limestone at gable at front (eastern) elevation. 58. Ornamental limestone at gable at front (eastern) elevation. • Traditional detailing has been incorporated with a modillioned cornice at the front • (eastern) elevation that conveys significance but in a more subtle mid-20th century • interpretation (figs. 57-58). The gable at the front is capped with a carved limestone • cross. The side and rear elevations feature a simplified molded limestone cornice. • • • • • • • • • • • • • • • • • 27 Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 59. First Church of Christ, Scientist, Biscayne Boulevard. Likewise, at the locally -designated First Church of Christ Scientist located on Biscayne Boulevard in Miami, limestone was utilized to convey civic character with a sense of solidity, elegance, & timelessness (fig. 59). 28 Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • ARTISTIC SIGNIFICANCE Limestone Ornament at Entrance 60. Original architectural drawing of ornamental detailing at main entrance. 61. Main entrance with ornamental detailing. The primary entrance is emphasized with the elegant use of three-dimensional ornamental limestone detailing, which provides relief to the continuous plane of the facade of the Narthex (figs. 60-61). The double doors are surrounded by carved limestone molding with a keystone and figure. Above the doorway is a carved cartouche with scrolling. A beveled niche with carved statuary is situated above the cartouche. The skill of the artistic craftsmanship of the decorative carved limestone is evident in the superb ornamentation which retains its original level of detail. These artistic decorative elements are featured prominently on the primary facade of the structure. Additionally, the secondary entrances to the building also feature decorative carved limestone relief over the doorways. 29 Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • • ARTISTIC SIGNIFICANCE • • Art Glass Fabricator • Willet Stained Glass Company (1898-present) • • The building's art glass was created by the Willet Stained Glass Company of • Philadelphia, which was founded in 1898. Now operating as Willet Hauser Architectural • Glass, it is currently the largest studio in North America and one of the oldest art glass • studios in the United States. The company has created and restored windows in over 20,000 buildings all over the world. The studio has produced art glass windows for • churches, libraries, colleges, restaurants and subway stations. Some of the studio's • prominent projects include the National Cathedral in Washington, DC (figs. 62-63), the • Cadet Chapel at West Point (figs. 64-65), Church Center for the United Nations in New • York City (figs. 66-67), and Alice C. Millar Chapel at Northwestern University in Chicago • (figs. 68-69). • • • • • • • • • • • • • • • • • • • • Willet collaborated with Henry D. Dagit & Sons on a number of projects including Ravenhill Chapel, Immaculate Conception Chapel at Rosemont College, and the Cathedral of Christ the King in Atlanta. • 62. National Cathedral 63. Detail of art glass at National Cathedral. • • Washington DC. Fabricated by Willet Studio Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • II mi. 30 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 64. Cadet Chapel US Military Academy West Point. 66. Church Center for the United Nations New York City. 65. Art glass window in Cadet Chapel. Fabricated by Willet Studio 67. Detail of art glass in Church Center. Fabricated by Willet Studio 68. Alice C. Millar Chapel, 69. Detail of art glass in Millar Chapel. Northwestern University, Chicago. 31 Fabricated by Willet Studio Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Art Glass Window Layout at St. Jude From the files of Willet Hauser Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk 70. Sketch depicting window layout at the Brickell Avenue (northern) elevation. f cs�rti� r%' /-/'Q 71. Sketch depicting window layout at the southern elevation. 72. Sketch depicting window layout at the western elevation. 32 73. Sketch depicting window layout at the eastern elevation. • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • ARTISTIC SIGNIFICANCE Art Glass Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk 4111 —4 1111144 dent ■►i!p. 91191 / \lis 9110. 1� `, ii • 1 flu 44 II 1 ///"! P.'; AR k�."II 101102111, Asa..i ills ! .r Z 74. Art glass windows at the southern Nave. • Art glass incorporates significant artistic ornament and color into the fenestration of the building. During the Middle Ages, the introduction of the use of metal tracery to hold • smaller pieces of glass in place enabled the creation of larger and more ornate windows. Although the use of art glass in windows certainly did not originate in the United States, American artists such as John La Farge and Louis Comfort Tiffany contributed important innovations in both design and materials. The building's art glass windows are traditional in design with realistic depictions of figures and objects (figs.74-81). Details are expressed through the use of paint applied to the glass. In general, a figure or scene is depicted in the central part of the window, and the lower panel of the window usually has a small element related to the larger figure above. The top portion of the lancet window generally contains a title of the scene or person depicted. The oculus windows and the quatrefoil windows depict partial figures. The art glass used in the windows was hand -made and mouth blown and likely imported from Europe. The hand -made process yielded glass with uneven thickness and wavy 33 a, • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • texture that imparted more character in the finished piece. Glaziers needed to have special skills and talent to work successfully with this type of glass. Material shortages and disruptions due to World War II resulted in fewer windows being produced in the immediate post-war era. armi r , .1 I. 75. Art glass windows in the northern Transept. 76. Barbed quatrefoil art glass window in the Narthex. 34 11111111 de elk a MP fir IMP 77. Art glass window in the northern Nave. Submitted into the public record for item(s) PZ.7 on 02 25 2016, City Clerk • • • • • • • • • • • • • c • • • • • • • • • • • • • • • • • • • • • • • • • • • • 78. Art glass window at the southern Nave. 79. Art glass window at the southern Transept. 80. Detail of bottom panel of art glass window at 81. Detail of bottom panel of art glass window at the northern Nave. the northern Nave. 35 Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • • • URBAN CONTEXT • • • • • • • • • • • • 0 , St. Jude • i y 1501 Brickell 1n Presbyterian 609 Brickell • • • • 82. 1952 aerial photo of Brickell Avenue. 83. 2016 aerial photo of Brickell Avenue. • The building now known as St. Jude Melkite Catholic Church was constructed in 1946 as • the chapel for the Assumption Academy. After the school was closed in 1976, the property was subdivided. The parcel containing the former chapel and three other • buildings was sold to the Melkite Diocese, and the other parcels were sold to a • developer. A portion of the original school was demolished and replaced by the high-rise • Palace Condominiums in 1981. • • The structure is one of the few surviving examples of the immediate post -World War II era built environment along Brickell Avenue. The mid-20th century is a significant era in • the community's history during which time Miami was transformed from a relatively • small community into to a large modern metropolis. This building is a direct physical • manifestation of this important mid-20th century era, and it has historic significance, as • it strongly conveys a distinct sense of time and place from an era that has nearly been • lost due to the intensive development that has occurred in the past 50 years along the Brickell corridor. • • A similar example is First Presbyterian Church, a locally designated historic site located • at the northern end of Brickell, that also conveys this mid-20th century sense of place. • First Presbyterian, which was constructed in 1949, is another surviving example of the • first few years of the mid-century era in Miami. Together, St. Jude (figs. 86-87) and First • Presbyterian (figs. 84-85) represent architectural "bookends" at the northern and • Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • w 36 • • • • • • • southern ends of Brickell Avenue that provide a tangible link to the built environment of immediate post -World War II mid-20th century Miami. Due to the rapidity with which Miami has evolved, the scarcity of representative layers • of the built environment along Brickell Avenue from this era of Miami's history bestows historic significance upon St. Jude. • • • • • • • • e • • • • • • • • • • • • • • • • • • • • • • • • • 84. First Presbyterian Church, 609 Brickell Avenue. 86. St. Jude Melkite Catholic Church, 1501 Brickell Avenue. 37 85. View of Brickell Avenue looking south with First Presbyterian in foreground. 87. View of Brickell Avenue looking south with St. Jude in the distance. Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • • • HISTORIC ARCHITECTURAL INTEGRITY • • "Integrity is the ability of a property to convey its significance." c - How to Apply the National Register Criteria for Evaluation Bulletin The exterior of the building has experienced a few minor modifications since its construction 70 years ago. However, because the changes have not materially impacted the overall appearance of the exterior, the building clearly retains its historical G architectural integrity and thus its ability to convey significance. • • • • • • • • The building's roof has been replaced with tile of the same material and color as the original, so the overall effect remains the same. Protective glazing has been added to the window openings to protect the art glass from the elements. New mechanical equipment has been installed with minor modifications to the exterior. The above referenced non-contributing, non -original features are minor items that do not adversely impact historic architectural significance and are reversible. Alterations were added and can be removed • Historic features and elements have not been removed • • Although some associated buildings adjacent the site have been demolished or • modified, the building retains substantial context to allow the immediate site to retain • its mid-20th century sense of place. • • • • • • • • • • • • • • • • • Submitted into the public • 38 record for item(s) PZ.7 a on 02/25/2016, City Clerk SIGNIFICANCE VERSUS USE Objective analysis of the above information results in the conclusive determination that • St. Jude Melkite Catholic Church possesses architectural, artistic and historic significance • that outweighs the significance of its religious use. Architectural significance is derived from the prominence of the architect and builder, and exceptional design aspects such • as the building's shape and form that provides a mid-20`h century interpretation of • traditional Romanesque ecclesiastical architecture, the fenestration pattern, and the • use of Indiana limestone which conveys a sense of civic stature. Artistic significance is • provided with the use of carved limestone ornamentation and art glass windows. • Historical significance is derived from the building's status as one of the few surviving examples of immediate post -World War II development on Brickell Avenue and its • ability to provide a tangible link to a significant era in the community's history during • which time Miami was transformed from a relatively small community into to a large • modern metropolis. • • • • • • • • • • • • • • • • • • • • • • • • • • • The current use of the building is primarily religious with a small retail element. In the future, the building's use could change. However, if the building obtains historic designation, a change of use would not affect the architectural, artistic and historical significance of the building, which is paramount. Numerous examples throughout the country of the successful adaptive re -use of former religious structures which have historic designation provide irrefutable proof of this fact. Architectural, Artistic & Historic Significance Current Use Architectural - Architect Mixed — religious and retail Architectural — Builder Architectural — Shape / form Architectural — Fenestration Architectural — Materials Artistic — Ornamentation Artistic — Art Glass Urban Context — one of the few surviving examples of the immediate post -World War 11 era; conveys distinct sense of time and place Adaptive Use — from Roman Catholic to Melkite Catholic 39 Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Clearly, based upon the above findings, the architectural, artistic and historical significance of the building outweigh any use of the building, including religious use. 40 Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • ADAPTIVE USE — Religious Structures Many examples exist throughout the country (and world) of historically -designated religious structures that have been re -purposed for non -religious uses. Although their uses have changed, the buildings retain their architectural, artistic and historical significance. Former religious structures have been adapted to a variety of completely different new uses in many locations, yet they retain their historic character through the flexibility afforded by historic designation. Examples include Strong Place Baptist Church in Brooklyn (fig. 88), which was converted to condominiums, Grace Baptist Temple in Philadelphia (fig. 89), which is now a performing arts center, Charles Street Meeting House in Boston (fig. 90), which now houses office and retail space, and Dayton First Baptist Church of Dayton, Oregon (fig. 91), which was converted to a restaurant. 88. Strong Place Baptist Church, Brooklyn, New York. Condominiums NY City Landmark and National Register of Historic Places 41 89. Grace Baptist Temple, Philadelphia, Pennsylvania. Temple University Performing Arts Center Philadelphia Register of Historic Places Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 90. Charles Street Meeting House, Boston, Massachusetts. Offices and retail National Register of Historic Places 42 91. Dayton First Baptist Church, Dayton, Oregon Block House Cafe National Register of Historic Places Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk PRIMARY SIGNIFICANCE • St. Jude Melkite Catholic Church clearly derives its primary significance from its • architecture, artistic distinction, and historical importance rather than from its current • religious use. • • Architecturally Significant • The building is significant architecturally due to its: • ■ Design by a prominent, prolific architect • • ■ Construction by one of the largest and most prominent builders in the nation • ■ Size and scale, which are reflective of a significant civic structure constructed in • the era of immediate post -World War II mid-20th century Miami, • ■ Mid-20th century interpretation of Romanesque architecture • •• Mid 20th century construction techniques with appearance of traditional • masonry construction • • Fenestration with long narrow windows, which express verticality • • Indiana limestone veneer, which provides a sense of solidity and timelessness to • the building • • Historically Significant • • Artistically Significant • • The building is significant artistically due to its: • Artistic carved limestone ornament at the entrances • Art glass windows produced by a prominent and significant studio The building is significant historically because it: ■ Is one of the few surviving examples of the immediate post -World War II era built environment along Brickell Avenue • ■ Strongly conveys a distinct sense of time and place from an era that has nearly been lost due to the intensive development that has occurred in the past 50 • years along the Brickell corridor. • • Submitted into the public • 43 record for item(s) PZ.7 • on 02/25/2016, City Clerk di • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • CONCLUSION According to Miami's Historic Preservation Ordinance, St. Jude Melkite Catholic Church must derive its primary significance from its architecture, artistic distinction, and historical importance rather than for its religious purpose. St. Jude Melkite Catholic Church's distinctive architectural character, extraordinary artistic merit, and important historical significance clearly outweigh any use of the building, including religious use. In accordance with the provisions of the Historic Preservation Ordinance, the building meets the criteria for local designation as a historic site in the City of Miami. St. Jude Melkite Catholic Church should receive historic designation. 44 • • • • • REFERENCES • • "Assumption Academy", n.d., Files of Willet Hauser Architectural Glass. Philadelphia. • Baltimore Historical & Architectural Preservation • http://archive.baltimorecity.gov/Government/Boa rdsandCommissions/HistoricalArchite • cturalPreservation/HistoricDistricts.aspx. • • Basilica of Saints Cyril and Methodius (Danville, Pennsylvania) • https://en.wikipedia.org/wiki/Basilica of Saints Cyril and Methodius (Danville, Penn • sylvania). • Cathedral of Christ the King (Atlanta) • https://en.wikipedia.org/wiki/Cathedral of Christ the King (Atlanta). • • Charles Street Meeting House https://en.wikipedia.org/wiki/Charles Street Meeting House. • Church Brew Works • http://www.churchbrew.com/history.html • https://en.wikipedia.org/wiki/The Church Brew Works. • City of Miami Code of Ordinances • https://www.municode.com/library/fl/miami/codes/code of ordinances. • City of Miami v. Diocese of Newton Melkite Church, No. 3D14-2504 (2015). • • Dagit & Sons, Henry D., Details, Academy of the Assumption, 1945, Personal Collection • of Raffoul Ajami. • Dagit & Sons, Henry D., Elevations, Academy of the Assumption, 1945, Personal • Collection of Raffoul Ajami. • • Dagit & Sons, Henry D., Plans, Academy of the Assumption, 1945, Personal Collection of • • • • • • • • Raffoul Ajami. Dayton First Baptist Church http://restoreoregon.org/daytonchurch/. Diocese of Newton Melkite Church v. City of Miami, 2014 WL 4730075 (2014). Henry D. Dagit & Sons https://www.philadelphiabuildings.org/pab/. Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • 45 • • • • • • • Historic and Environmental Preservation Board, City of Miami, St. Jude Melkite Catholic Church Designation Report, March 2013. • Immaculate Conception Chapel, Rosemont College • http://articles.philly.com/2015-02-04/news/58757313 1 rosemont-college-sharon- • latchaw-hirsh-chapel. • http://www.rosemont.edu/library/archives/buildings-grounds/immaculate-conception- chapel.php. • • "Interview with Kathy Jordan, Willet Hauser Architectural Glass." Telephone interview. 22 Feb. 2016. • • • • • • • • McCloskey & Co., Builders http://spartacus-educational.com/JFKmccloskey.htm. National Register Bulletin — How to Apply the National Register Criteria for Evaluation http://www.nps.gov/nr/publications/bulletins/nrb15/nrb15 8.htm. National Register of Historic Places Database http://www.nps.gov/nr/research/. • New Jersey and National Register of Historic Places • http://www.nj.gov/dep/hpo/lidentify/nrsr lists.htm. • • Pennsylvania Historical and Museum Commission Culture Resources Geographic • Information System http://www.phmc.pa.gov/Preservation/Cultural-Resources- • GIS/Pages/default.aspx#.VsxxS7QrLmg. • • Philadelphia Register of Historic Places • http://www.phila.gov/historical/register/Pages/RegisterofHistoricPlaces.aspx. • Ravenhill Chapel • http://map.philau.edu/#UMAP 2008082711625%7CBLD 2009021925394%7B%22embe • dMedia%22%3A%221MG 2009042047447%22%7D. • • Strong Place Baptist Church • http://untappedcities.com/2013/06/27/history-behind-nyc-church-apartment- • conversions/4/. • Willet Hauser Architectural Glass • http://www.willethauser.com/. • https://en.wikipedia.org/wiki/Willet Hauser Architectural Glass. • 46 Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • 0 • • • • • • i • • • • • • • 0 • • i • • • • • • 0 0 0 0 • • 0 • PHOTO CREDITS 1. Bryan Memorial Methodist Church. Heritage Architectural Associates, 2016. 2. Central Baptist Church. Ebyabe - Own work, CC BY -SA 3.0, https://commons.wikimedia.org/w/index.php?curid=15067745. 3. Christ Episcopal Church. Heritage Architectural Associates, 2016. 4. Ebenezer Methodist Church (House of Pietro - Own work, CC BY -SA 3.0, https://commons.wikimedia.org/w/index God of Nazarene Church). .php?curid=29671427. 5. First Church of Christ Scientist. Ebyabe - Own work, CC BY -SA 3.0, https://commons.wikimedia.org/w/index.php?curid=15067783. 6. First Presbyterian Church. Heritage Architectural Associates, 2016. 7. Gesu Church and Rectory. Ebyabe - Own work, CC BY -SA 3.0, https://commons.wikimedia.org/w/index.php?curid=15067759. 8. Greater Bethel A.M.E. Church. Ebyabe - Own work, CC BY -SA 3.0, https://commons.wikimedia.org/w/index.php?curid=15067815. 9. Mt Zion Baptist Church. • Ebyabe - Own work, CC BY -SA 3.0, https://commons.wikimedia.org/w/index.php?curid=15067821. 10. Plymouth Congregational Church. MosheA - Own work, CC BY -SA 3.0, https://commons.wikimedia.org/w/index.php?curid=21390512. 11. St. Agnes Episcopal Church. Heritage Architectural Associates, 2016. Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • A. 47 12. St. John's Baptist Church (New St. John Institutional Baptist Church). Ebyabe - Own work, CC BY -SA 3.0, https://commons.wikimedia.org/w/index.php?curid=15067824. • • 13. Trinity Episcopal Cathedral. • Ebyabe - Own work, CC BY -SA 3.0, • https://commons.wikimedia.org/w/index.php?curid=15067799. • 14. Map of site depicting designation boundary. St. Jude Melkite Catholic Church Designation Report • • 15. Area map depicting location of building. • "Miami, Florida." Google Maps. Map Data © 2016 Google. • 16. Henry D. Dagit, Sr. c. 1906. • http://mv.ancestry.com/viewer/a59052e1-b910-4c98-95a7- • 8e77d8523eb2/24028712/1462087076. • • 17. Dagit Brothers, 1950s. http://mv.ancestry.com/viewer/8901b5d8-bc87-46da-8f18- • 41a561fba97b/57742083/36028293628. • • 18. Immaculate Conception Chapel, Rosemont College, 1940. • http://www.rosemont.edu/library/archives/buildings-grounds/immaculate-conception- chapel.php. • • 19. Stained glass depicting women saints at Immaculate Conception Chapel. http://articles.philly.com/2015-02-04/news/58757313 1 rosemont-college-sharon- • latchaw-hirsh-chapel. • r 1 • • • • • S 20. Architectural drawing for Monastery at Villanova University. Dagit Collection, Athenaeum of Philadelphia. https://www.philadelphiabuildings.org/pab/app/im display.cfm?Imageld=653C0328- 59 E 2-4 D5 E-9706C91 D 3 BA4 B577. Permission to reproduce granted by Bruce Laverty, Athenaeum of Philadelphia, 2/22/16, via email. 21. Monastery, Villanova University, 1934. The original uploader was Nfutvol at English Wikipedia - Transferred from en.wikipedia to Commons. Transfer was stated to be made by User:Huntster., CC BY -SA 2.5, https://commons.wikimedia.org/w/index.php?curid=2995004. 48 Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • •• 22. Basilica of Saints Cyril and Methodius, Danville, Pennsylvania, 1939. Jroth.x at English Wikipedia, CC BY -SA 3.0, • https://commons.wikimedia.org/w/index.php?curid=37295515. • • 23. Architectural drawing of Cathedral of Christ the King. • Dagit Collection, Athenaeum of Philadelphia. • https://www.philadelphiabuildings.org/pab/app/im display.cfm?Recordld=50FF6D88- • 596D-42A9- 9237DED7437C5211&Architectld=&Projectld=&Authorize=&CFID=52424865&CFTOKEN • =53258920. • Permission to reproduce granted by Bruce Laverty, Athenaeum of Philadelphia, 2/22/16, • via email. • 24. Cathedral of Christ the King, Atlanta, 1939. • http://en.wikipedia.org/wiki/User:Tbook - http://en.wikipedia.org/wiki/Image:Christ- • the-King-Atlanta.JPG, Public Domain, • https://commons.wikimedia.org/w/index.php?curid=4578226. •• 25. St. Katherine of Siena Church, Wayne, Pennsylvania, presented with the Architectural Honor Award won by Henry D. Dagit & Sons for the design of the church, • 1960s. • http://mv.ancestry.com/viewer/2c0ac188-53d3-4389-a398- • b60a6b417b20/57742083/36028293628. • 26. Exterior of award -winning St. Katherine of Siena Church Wayne, Pennsylvania. • http://www.stkatharineofsiena.org/about-us/gallery/our-church/. • 27. Interior of award -winning St. Katherine of Siena Church Wayne, Pennsylvania. • http://www.stkatharineofsiena.org/about-us/gallery/our-church/. • 28. Ravenhill Academy Chapel Philadelphia, 1938. http://map.philau.edu/images/IMG 2009042047447 DETL.jpg. • 29. Architectural drawing of northeast elevation, Ravenhill Chapel, 1938. • Dagit Collection, Athenaeum of Philadelphia. • https://www.philadelphiabuildings.org/pab/app/im display.cfm?Imageld=99373584- 155D-01E7-00413426DE4DBA9A. • Permission to reproduce granted by Bruce Laverty, Athenaeum of Philadelphia, 2/22/16, via email. • • 30. Architectural drawing of southwest elevation, Ravenhill Chapel, 1938. Dagit Collection, Athenaeum of Philadelphia. https://www.philadelphiabuildings.org/pab/app/im display.cfm?Imageld=99373584- 155 D-01 E 7-00413426 D E4 D BA9A. • Submitted into the public 49 record for item(s) PZ.7 on 02/25/2016, City Clerk •••••••••••••••••••••••••••••••. • • • • • • • • Permission to reproduce granted by Bruce Laverty, Athenaeum of Philadelphia, 2/22/16, via email. 31. President John F. Kennedy Speaks at Cornerstone -Laying Ceremony for Rayburn House Office Building, May 1962. Public Domain, http://www.jfklibrary.org/Asset-Viewer/Archives/JFKWHP-ST-C230-7- 62.aspx 32. President John F. Kennedy with US Ambassador to Ireland, Matthew H. McCloskey, Oval Office July, 1962. Public Domain, http://www.jfklibrary.org/Asset-Viewer/Archives/JFKWHP-KN- C22776.aspx 33. Rayburn House Office Building, Washington DC, 1965. RebelAt at English Wikipedia, CC BY 2.5, https://commons.wikimedia.org/w/index.php?curid=11728746. 34. U.S. Customs House Philadelphia, 1932. Bruce Andersen - Own work, CC BY -SA 3.0, https://commons.wikimedia.org/w/index.php?curid=1823978. 35. Philadelphia Inquirer Rotogravure Building, 1948. "Philadelphia, Pennsylvania." Google Street View. Image Capture Aug 2014 OO 2016 Google. 36. Little Flower Catholic High School for Girls Philadelphia, c. 1938. http://www.littleflowerhighschool.org/. 37. Holy Redeemer Chinese Catholic Church Philadelphia, 1941. Public Domain, https://www.loc.gov/resource/hhh.pa0816.photos/?sp=2. 38. View of the building from the intersection of Brickell Avenue and SE 15th Road. Heritage Architectural Associates, 2016. 39. Original architectural drawing of First Floor Plan. Plans, Academy of the Assumption Chapel, 1945. 40. Diagram of a simple Romanesque floor plan. Heritage Architectural Associates, 2016. 41. Original architectural drawing of 15th Road (eastern) elevation. Elevations, Academy of the Assumption Chapel, 1945. 50 Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • 11• • • • • • • • • • • • • • • • • • • • • • • • 42. Eastern elevation depicting Narthex. Heritage Architectural Associates, 2016. 43. Original architectural drawing of Brickell Avenue (northern) elevation. Elevations, Academy of the Assumption, 1945. 44. Northern elevation depicting Narthex, Nave, and Transept. Heritage Architectural Associates, 2016. 45. Original architectural drawing of west elevation depicting Apse. Elevations, Academy of the Assumption, 1945. • 46. Western elevation depicting Apse. Heritage Architectural Associates, 2016. • • 47. Original architectural drawing of southern elevation. • • • • Elevations, Academy of the Assumption, 1945. 48. Southern elevation depicting Nave and Transept. Heritage Architectural Associates, 2016. • 49. Original architectural drawing of windows. Details, Academy of the Assumption, 1945. 50. Windows at Brickell Avenue (northern) elevation. Heritage Architectural Associates, 2016. 51. Barbed quatrefoil window at gable end of eastern elevation, above Narthex. Heritage Architectural Associates, 2016. • 52. Barbed quatrefoil window at gable end of western elevation. • Heritage Architectural Associates, 2016. • • 53. Original architectural drawing of barbed quatrefoil window. Details, Academy of the Assumption, 1945. 54. Detail of barbed quatrefoil window. Heritage Architectural Associates, 2016. 55. Original architectural drawing of wall section illustrating limestone cladding system. Details, Academy of the Assumption, 1945. 56. Detail of coursed ashlar bonding pattern. Heritage Architectural Associates, 2016. 51 Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk 57. Original architectural drawing depicting ornamental limestone at gable at front (eastern) elevation. Details, Academy of the Assumption, 1945. • • 58. Ornamental limestone at gable at front (eastern) elevation. • Heritage Architectural Associates, 2016. • 59. First Church of Christ, Scientist, Biscayne Blvd. Ebyabe - Own work, CC BY -SA 3.0, • https://commons.wikimedia.org/w/index.php?curid=15067783. • • 60. Original architectural drawing of ornamental detailing at main entrance. • Details, Academy of the Assumption, 1945. • 61. Main entrance with ornamental detailing. • Heritage Architectural Associates, 2016. • • 62. National Cathedral, Washington DC. • Public Domain, https://en.wikipedia.org/wiki/Washington National Cathedral#/media/File:Washington • NationalCathedralHighsmith15393v.jpg. 0 • 63. Detail of art glass at National Cathedral. • Willet Hauser Architectural Glass, http://www.willethauser.com/projects-from-our-past. • 64. Cadet Chapel US Military Academy West Point. • Public Domain, https://en.wikipedia.org/wiki/File:Cadet Chapel USMA.JPG. • • 65. Art glass window in Cadet Chapel. Willet Hauser Architectural Glass, CC BY -SA 3.0, https://commons.wikimedia.org/w/index.php?curid=7661207. 66. Church Center for the United Nations New York City. http://www.nycago.org/Organs/NYC/html/ChurchCenterUN.html. • 67. Detail of art glass in Church Center. Willet Hauser Architectural Glass • http://www.willethauser.com/projects-from-our-past. • • 68. Alice C. Millar Chapel, Northwestern University, Chicago. • Paradoxsociety - Own work, GFDL, • https://commons.wikimedia.org/w/index.php?curid=3936170. • 52 record for item(s) PZ.7 • on 02125/2016, City Clerk a Submitted into the public • • • • • • • • • • • • • • • • • • • • • • • • • • • • c• I•••••• 69. Detail of art glass in Millar Chapel. Willet Hauser Architectural Glass, http://www.willethauser.com/projects-from-our-past. 70. Sketch depicting window layout at the Brickell Avenue (northern) elevation. Willet Hauser Architectural Glass. 71. Sketch depicting window layout at the southern elevation. Willet Hauser Architectural Glass. 72. Sketch depicting window layout at the western elevation. Willet Hauser Architectural Glass. 73. Sketch depicting window layout at the eastern elevation. Willet Hauser Architectural Glass. 74. Art glass windows at the southern Nave. Heritage Architectural Associates, 2016. 75. Art glass windows in the northern Transept. Heritage Architectural Associates, 2016. 76. Barbed quatrefoil art glass window in the Narthex. Heritage Architectural Associates, 2016. 77. Art glass window in the northern Nave. Heritage Architectural Associates, 2016. 78. Art glass window at the southern Nave. Heritage Architectural Associates, 2016. 79. Art glass window at the southern Transept. Heritage Architectural Associates, 2016. 80. Detail of bottom panel of art glass window at the northern Nave. Heritage Architectural Associates, 2016. 81. Detail of bottom panel of art glass window at the northern Nave. Heritage Architectural Associates, 2016. 82. 1952 aerial photo of Brickell Avenue. University of Florida, George A Smathers Libraries. 1952. Flight 4H, Tile 105. http://ufdc.ufl.edu/UF00071738/00010/92j. 53 Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • 86. St. Jude Melkite Catholic Church, 1501 Brickell Avenue. • Heritage Architectural Associates, 2016. • 87. View of Brickell Avenue looking south with St. Jude in the distance. • Heritage Architectural Associates, 2016. • • 88. Strong Place Baptist Church Brooklyn, New York. • Beyond My Ken - Own work, GFDL, • https://commons.wikimedia.org/w/index.php?curid=24037630. 89. Grace Baptist Temple, Philadelphia, Pennsylvania. Ryan S. Brandenberg / Temple University • http://news.temple.edu/news/new-grant-will-help-kids-discover-performing-arts • 90. Charles Street Meeting House Boston, Massachusetts. • CC BY -SA 3.0, https://commons.wikimedia.org/w/index.php?curid=344350. • • 91. Dayton First Baptist Church Dayton, Oregon. • Gary Halvorson, Oregon State Archives, Attribution, • https://commons.wikimedia.org/w/index.php?curid=19105730. • • • • • • • • • • • • • 54 a • • • • 83. 2016 aerial photo of Brickell Avenue. "Miami, Florida." Google Maps. Imagery ©2016 DigitalGlobe, Sanborn, U.S. Geological • Survey, Map data ©2016 Google. • • 84. First Presbyterian Church, 609 Brickell Avenue. • Heritage Architectural Associates, 2016. • 85. View of Brickell Avenue looking south with First Presbyterian in foreground. Heritage Architectural Associates, 2016. Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • APPENDIX A • • • • • Submitted into the public • 55 record for item(s) PZ.7 • on 02/25/2016, City Clerk • STEVEN AVDAKOV, R.A., NCARB • Principal, Heritage Architectural Associates • 4770 Alton Road, Miami Beach, FL 33140 p 305.761.3642 • 2307 Chapline Street, Wheeling, WV 26003 p.681.207.9975 savdakov@heritagearchitectural.com • EDUCATION: • 1994: Master of Science in Historic Preservation, Columbia University, New York, NY • 1989: Bachelor of Architecture, University of Miami, Coral Gables, FL PROFESSIONAL REGISTRATION: • Florida, AR0015613 Michigan, 1301049985 • Ohio, A-03-13277 Pennsylvania, RA403346 • West Virginia, 3056 • National Council of Architectural Registration Board, (NCARB), certificate number 48641 • PROFESSIONAL EXPERIENCE: • Meets federal professional qualifications for Historic Architecture consultants 1998 to present: Principal, Heritage Architectural Associates, Miami Beach FL/ Wheeling, WV • • • • • • • • • • • • • • • • • • • • • • • • 1993, 1994-1997: 1991-1992: 1990-1991: 1989-1990: 1987, 1988, 1989: 1986: Associate Vice President, RJ Heisenbottle Architects, Coral Gables, FL Intern Architect, DRS/Hundley Kling Gmitter, Pittsburgh, PA Intern Architect, Robert D. Graham, Architect, Sewickley, PA Senior Designer, CYP of Florida Architects, Ft. Lauderdale, FL Designer, Cuhaci and Peterson Architects, Orlando, FL Designer, Shaeffer and Madama Architects, Wheeling, WV AFFILIATIONS: Association for Preservation Technology Columbia Preservation Alumni, Inc. Columbus Landmarks Foundation Heritage Ohio, Inc. Florida Trust for Historic Preservation National Trust for Historic Preservation, Forum Member Partners For Sacred Places Preservation Alliance of West Virginia Preservation Resource Center of New Orleans ACADEMIC AWARDS: Columbia University: Questers Scholarship University of Miami: Henry King Stanford Scholarship SELECTED AWARDS: Villa Providence/ Hallandale Beach, FL 201 1 Florida Trust for Historic Preservation Outstanding Achievement Award, Adaptive Use 201 1 Broward County Historical Commission Stuart McIver Award Henrietta Baum Building / Wheeling, WV, 2006 Friends of Wheeling Outstanding Restoration Award 56 Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk The Historic National Road in Belmont County, Ohio • • The Ohio Questers 2005 State Convention, St. Clairsville, Ohio / October 2005 • Main Street 101.. Design • Building Connections: Ohio's Conference on History, Preservation, and Revitalization, Columbus, Ohio / November 2003 • • • • • Steven A vdako v 2 • Egerter Building / Wheeling, WV • 1999 Friends of Wheeling Outstanding Restoration Award Wheeling Coffee and Spice/ Wheeling, WV • 1999 Friends of Wheeling Outstanding Restoration Award • • SELECTED LECTURES / PRESENTATIONS: • Downtown Revitalization.. Making it Happen London, Ohio / September 2014 • Preservation Analysis of the Ward L. Lambert Field House and Gymnasium • Purdue University/ November 2012 •• Epworth Park. An Overview ofa Historic Chautauqua Community The Ohio Questers 2012 State Convention, Bethesda, Ohio / October 2012 • • Archimedes and the Farmstead Leveraging Resources and Historic Preservation, Panel Discussion • Preservation Alliance of West Virginia Conference, Charles Town, West Virginia / September 2012 • • Downtown Redevelopment Strategies Workshop Xenia Downtown Revitalization Committee, Xenia, Ohio / June 2012 • Ohio Modern: Preserving the Recent Past Miami Valley Planning Conference, Dayton, Ohio / December 2015 • Webinar, Heritage Ohio, Columbus, Ohio / December 2011 • National Preservation Conference, Buffalo, New York / October 2011 • The Ohio Historical Society, Dayton, Ohio / February 2011 • The Ohio Historical Society, Columbus, Ohio / September 2010 • The Impact of Hurricane Katrina upon the Historic Architecture of New Orleans • Mount Pleasant Historical Society, Mount Pleasant, Ohio / October 2008 Bethany College, Bethany, West Virginia / January 2008 • • Olney Friends School, Barnesville, Ohio / May 2006 • Main Street Design Workshop • Downtown Ohio, Inc., Cambridge, Ohio / November 2001 Revitalization Opportunities in Downtown Barnesville Barnesville Rotary, Barnesville, Ohio / October 2003 • Main Street Basic Training. Design • Downtown Ohio, Inc., Columbus, Ohio / February 2002 • 57 Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk da • • Steven A vdakov3 • The Economic Impact of Historic Theatres, • Uptown Merchants Association, Moundsville, West Virginia / September 2001 • Revitalization Opportunities in Downtown Cadiz • Cadiz Business Association, Cadiz, Ohio / August 2001 • • SELECTED PROFESSIONAL SERVICE: • Hurricane Assessment Team, National Trust For Historic Preservation New Orleans, LA / December 2005 SELECTED ACADEMIC SERVICE: • Design Juror- 1996, 1997, 2000, 2001, 2002 University of Miami School of Architecture • GRANTS: • Provided grant writing assistance for the following.. 2015: Jeffris Heartland Fund, Jeffris Family Foundation • Historic Structures Report/Master Plan, Unionville Tavern, Unionville, OH • 2015: Johanna Favrot Fund, National Trust for Historic Preservation • Historic Structures Report/ Master Plan, Unionville Tavern, Unionville, OH • 2008: Transportation Enhancement Grant, West Virginia Department of Highways, Cockayne • Residence Exterior Restoration - Completion, Marshall County Historical Society, Glen Dale, • WV • 2006: Scenic Byways Grant, Ohio Department of Transportation, Exterior Restoration of Brick • Tavern, Ohio University, Eastern Campus, St. Clairsville, OH • 2006: Transportation Enhancement Grant, West Virginia Department of Highways, Cockayne Residence Exterior Restoration - Part /, Marshall County Historical Society, Glen Dale, WV • 2004: Survey and Planning Grant, West Virginia Division of Culture and History • National Register Listing, Morrow Hall, Fairmont State University, Fairmont, WV • 2003: Johanna Favrot Fund, National Trust for Historic Preservation • Building Evaluation Report, The Main'; Olney Friends School, Barnesville, OH • 2003: Johanna Favrot Fund, National Trust for Historic Preservation Architectural Conditions Assessment, First Congregational Church, Manistee, MI • 2003: Cultural Facilities and Capital Resources Grant, West Virginia Commission on the Arts g Strand Theatre Exterior Restoration, Strand Theatre Preservation Society, Moundsville, WV • 2003: General Development Grant, West Virginia Division of Culture and History • Cockayne Residence Roof Replacement, Marshall County Historical Society, Glen Dale, WV • 200 I: Johanna Favrot Fund, National Trust for Historic Preservation, Preservation Master Plan, • Brick Tavern - Ohio University, Eastern Campus, St. Clairsville, OH • • • • 58 Submitted into the public record for item(s) PZ.7 on 02 25 2016, City Clerk 0 0 0 0 0 0 0 0 0 • 0 • • 0 0 0 0 0 0 0 a • • • • • s 3 a 3 3 3 3 3 2 3 a Submitted into the public record for item(s) PZ.7 on 02/25/2016, City Clerk