Loading...
HomeMy WebLinkAboutSubmittal Julie Tuttle Statue CompetitionjUlla Tuttle Statue Competition E-MAIL ADDRESS: OFFICIAL ENTRY FORM October 31, 2006 (per Laurie Escobar) All sabrnissions must be received no later than Z;cptc:rc.!- 3n. 2011'E . FIRST NAME: Daub Emir' Hendrickson Sculpture Group, LLC I ,T Contact person: Jonah Hendrickson NAMF- ADDRESS: 650 Vincente Avenue Berkeley California STATE: ZIP: 94707 HOME TEL: MOBELE TEL: 510 528 2264 510 684 0647 dfhsculpturegroup@sbcglobal.net NUMBER OF YEARS AS A PROFESSIONAL ARTIST: Eugene Daub: 30 years ALLERY REPRBENTATION: Self (public monument artists, not gallery artists) ASSURANCES 1 certify. that all statements triode in thipplkuJion and additional entry materials are Erse to the best of rny knowledge. 1 acknowledge that the City of Miami, Miarni-Dade County and The Relaied Groap are not liable to damage or lass of rnateriat submitted. Jonah Hendrickson Eva Schiorring WITNESS SIGNA E Pre Name k„:07 30th DATED: This day of 2006. at Berkeley, CA (City, Stale) Cify of Miami Commission on file Sirius of Women October iMiorts&Daele Cour* Commission for Women PROPOSAL by THE DAUB FIRMIN HENDRICKSON SCULPTURE GROUP for THE JULIA TUTTLE RIVERWALK SCULPTURE submitted OCTOBER 30, 2006 © Daub Firmin Hendrickson Sculpture Group, LI,C, 2006 , . '``h, , Daub Firmin Hendrickson Sculpture Group October 30, 2006 PROPOSAL For The Miami Julia Tuttle Riverwalk Monument INTRODUCTION Julia Tuttle is the only woman to be acknowledged as the founder of a major American city. This proposal details a design for a sculpture of Ms. Tuttle that presents both the story of her accomplishment and a realistic portrait. GOALS Our monument will be a successful addition to the City of Miami if it satisfies four goals. • Appropriately honors Julia Tuttle for her contributions to the foundation of Miami • Educates the public, of all ages, about Julia Tuttle's role in the origin of the city • Portrays Julia Tuttle in an accurate, dignified manner • Presents a recognizable, inspiring and aesthetic image —close up and from a distance in the daylight and at night HISTORICAL SUMMARY Julia Tuttle developed business skills while living in Cleveland Ohio, partly through running her deceased husband's foundry for five years after his death. She moved to the Biscayne Bay area in 1891 after her father died, where she expanded his land holdings and cultivated oranges. She formed a vision for the establishment of a great city and spent several years attempting to persuade railroad tycoons to extend their lines to Biscayne Bay to provide the catalyst for marketable farming, tourism and a growing population. Her pivotal argument was that her oranges thrived throughout the catastrophic freeze of 1895 that destroyed orange crops north of her groves. Henry Flagler finally agreed to extend his rail lines from Palm Beach, and invested substantial sums in the development of the future city's infrastructure. 1896 saw the inauguration of train service and the incorporation of Miami. Julia Tuttle founded several businesses in the nascent city, initially to support people engaged in construction of Flagler's grand hotel and other new features in Miami, and later to serve the public at large. She died at the age of fifty in 1898, to become one of our nation's most unrecognized great citizens. We would like to help set the record straight. Ervnower rato Yot, g 11.1%1 (0 Daub Firmin Hendrickson Sculpture Group, LLC Daub Firmin Hendrickson Sculpture Group October 30, 2006 THEME Julia Tuttle was a highly intelligent, energetic and determined woman with a rare combination of business acumen and long-range, grand vision. She acquired much of her business skill while observing her husband's management of an iron works in Cleveland, and especially while running the firm after his death. She came into her own when she moved to south Florida to live in the area that had intrigued her ever since she first traveled there with her father years before. It did not take long for her love of the land and her business skills to merge into a vision and a plan for the creation of a city —the future Miami. The theme for the monument is of Julia Tuttle as an intelligent, skilled woman with a clear vision for founding a major city on an almost totally undeveloped and difficult site, who succeeded in realizing her vision in a remarkably short period of time. The story of her accomplishment is folded into her portrait. The next two sections of this proposal discuss our plan for the Tuttle monument in detail, and also serve to elaborate on the history of her founding of Miami. COMPOSITION Composition is the arrangement and staging of a sculpture. Our Julia Tuttle composition depicts her standing in a day dress of the period, offering an orange in her outstretched right hand, a basket of oranges (and their blossoms) tucked under her left arm, with her face uplifted in a gesture of envisioning the future. Relief is ideally suited for telling stories, and we have elected to use it for a historical narrative of her founding wrapped around her voluminous skirt. Another important advantage of relief is that it appeals to children. The sculpture's dress, outstretched arm and tilt of head will make its basic shape recognizable both in the day and at night. The face and hair are based on photographs of Julia Tuttle, and will become recognizable as people become familiar with her. We have given her a graceful manner that sets an appropriate mood for the mildly allegorical nature of the sculpture. Commemorative text is incorporated into the historical relief. The color of the maquette is the color of its clay. The final figure will have a patina that maximizes the interplay of light and shadow under the Florida sun, and under artificial illumination at night. We would like the sculpture to be highly visible and attractive when viewed from the water as well as from the land, and will design the patina after an on -site visit. CO Daub Firmin Hendrickson Sculpture Group, LLC rea rAN kt,„7 JA N 1- 2.4) - 07 Daub Firmin Hendrickson Sculpture Group October 30, 2006 MAQUETTE PHOTOS AND DISCUSSION Digital images of our 24-inch Julia Tuttle maquette are included in our proposal package, along with digital copies of this proposal. The four images included here move sequentially around the figure in a counterclockwise direction (the direction of reading from left to right) to reveal the figure from different angles, and to follow the narrative relief of the founding of Miami. Figure 1 shows the sculpture from the front. Ms. Tuttle is extending an orange forward with her right hand as a symbol of her use of the economic potential of winter oranges as an incentive to develop the city. Her face is a portrait based on photographs, and her dress is taken from photos and from style books dating from a few years before her meeting with Henry Flagler. The relief on the front of her dress documents the early part of the story of the founding of Miami. • It begins on the left with an alligator and a Whooping Crane representing the undeveloped and exotic nature of the Biscayne Bay area prior to its development. The alligator is emphasized visually to highlight the bold, pioneering nature of Julia Tuttle's accomplishment, and the contrast with her success in establishing a major city. • It proceeds to the creation of Ms. Tuttle's orange groves and business. • The wagon filled with oranges symbolizes the abundance of her harvests, and the lack of modern transportation to markets.' There will be no problem in clearly seeing the reliefs on the finished bronze sculpture, whether it is 8 feet or taller. That size presents abundant surface area. Because we must use page -fitting photos in this proposal, each has explanatory labels pointing out features on the maquette. ey.g‘ ,r• 7 -2 - 0-1 © Daub Firmin Hendrickson Sculpture Group, LLC Daub Firmin Hendrickson Sculpture Group October 30, 2006 Figure 1: Front American day dress of about 1891- Alligator and Whooping Crane symbolizing undeveloped and exotic nature of area to become Miami © Daub Firmin Hendrickson Sculpture Group, LLC Julia Tuttle's orange groves and house Daub Firmin Hendrickson Sculpture Group October 30, 2006 Moving left to right, Figures 2 and 3 show julia 'Futile meeting with kienry Flagler in 1895 at her grove; shaking hands on the cinl in which she secured his participation in the development olthe city. Figure 2: Front -Left 0 Daub Firmin Hendrickson Sculpture Group, LLC Ms. Tuttle meeting with Henry Flagler e.,0,14a PR.( October 30, 2006 Daub Firmin Hendrickson Sculpture Group Figure 3: Left Side Ms. Tuttle meeting with Henry Flagler Text with historical background and attributions Figure 4 views the sculpture from the right back where the relief history has reached its culmination scene. The City of Miami is partially built, the Royal Palm flowl is under construction, boats are plying the Miami River, and. most dramatically, the locomotive is pulling a train load of oranges out of town in 1893 refrigerator cars. ("0 Daub Firmin Hendrickson Sculpture Group, LLC ' —242-07 Daub Firmin Hendrickson Sculpture Group October 30, 2006 • Physical and economic infrastructure is represented by the Royal Palm Flotel, still under construction, boats on the Miami River and streets !aid in the backgronrid. • Tiransporici infrast;licIia-e 1s represeme[i 'ward . the viewer (the locomotive is authentic ---a 4-6-0 from 1895). • Ms. Tuttle's own business ventures in Miami will he visible on the full-size bronzes where there will be sufficient space to depict them. Figure 4. Back New buildings and new city blocks being laid out Miami River with boats Daub Firmin Hendrickson Sculpture Group, Royal Palm 'Hotel under construction Historically accurate 1895 locomotive pulling 1890s refrigerator cars out of Miami to market opri . Lvord. 1- 24. — 0 Daub Firmin Hendrickson Sculpture Group October 30, 2006 Dimensions The sculpture will be between 8 and 14 feet tall, at the Julia Tuttle Committee's discretion. It is designed with its historical information and text integrated into the bronze. We think it will produce the most dramatic effect if it stands directly on the Riverwalk. surface. The sculpture's basic form in its lower half is determined by the full skirt ofJulia Tuttle's dress. Sample dimensions are shown in Table I. Table 1. Dimensions of Full -Size Bronze Sculpture Height in Feet Diameter at Bottom of Skirt in Inches Side to Side Front toBack 8 39.0 28.9 10 48.8 36.1 12 58.5 43.3 14 68.3 50.5 Figure 5 illustrates the dimensions, using the 10 foot scale as its example. Figure 5. Dimensions of 10-Foot Sculpture Height: 10' Front to Back: 36.1" Side to Side: 48.8" 1 `,1 1140' 1,411„ 14.1 14441 1441 1 S. 1,44. 144, 4 1,,e111 Vatlawl ram A pi i'aa e) L 11` vq, © Daub Firmin Hendrickson Sculpture Group, LLC (A) 774-07 8 Daub Firmin Hendrickson Sculpture Group October 30, 2006 THE DAUB FIRMIN HENDRICKSON SCULPTURE GROUP Our partnership brings together three sculptors with a set of experiences and talents that are unusual in the fine arts: Eugene Daub, acclaimed master sculptor of public monuments with 30 years experience; Rob Firmin, historical researcher and software entrepreneur -turned sculptor; and Jonah Hendrickson, apprentice to Mr. Daub with 10 years experience. We have an extensive, proven record in monumental sculpture and the creation of art for public spaces. We have deep capability to conduct research to create monuments of historical validity and artistic interest. One of the team's unusual talents is the fact that it is equally skilled at the full spectrum of sculpture —from in -the -round figures to high and low relief, and all projections in between. Finally, we have thorough experience in guiding complex projects with advanced project management, which reduces financial, delivery and quality risk. Because of the substantial research effort dedicated to our proposals, we only respond to RFPs that intrigue us with their potential for lasting artistic, historical and social significance. This is one such project because of the significance and rarity of Julia Tuttle's achievement. Similar Projects We have worked on many similar projects, as our portfolio examples (under separate cover) can only partially demonstrate. Our recent public art projects include: • Large historical monuments: Eight monuments dedicated to American history • Community themes: A Japanese -American community monument in three cities • Reliefs: (excellent medium for telling a story), e.g., a 17' x 8' Lewis and Clark; a biographical set of reliefs around the base of Phineas Banning's figure; a stone multi -panel history of Guam in WW II; portraits; and many medallions • Large military monuments: three, including one with seven full-size military figures dedicated last week. • Allegories: Four, including large-scale figures in a state capitol's rotunda • Public Portraits: Subjects from a wide range of backgrounds, including presidents of the United States, business leaders, academics, a general, community leaders and activists, and many others. • Medallions: Many —as stand-alone projects and as supporting projects for public monuments. Approach to Projects First, we are an artist group that practices both artistry and discipline. Our prime operating rule is to communicate effectively with our sponsors. We clarify requirements, and are open to suggestions. We maintain regular contact so that neither party drifts off track. © Daub Firmin Hendrickson Sculpture Group, LLC SL!BMITTED INTO A : PUBUC RECO12 ITEM ON--.07 Daub Firmin Hendrickson Sculpture Group October 30, 2006 We devote considerable time to research the substance of any potential project. The history of Miami's founding is fascinating and a critical component of America's heritage —we are eager to have begun to apply our research expertise to this subject. We merge strict adherence to our defined goals with artistic discipline, imagination, and artistic and emotional expression. We create and review prototypes and test uncertain elements. Our resulting compositions are then sculpted, critiqued and refined. We do all of our own artistic work. We work as a team, with shared responsibilities as well as specialized focus, and we work extremely well together. We apply our project -management expertise —refined through Rob Firmin's 25 years in the high-tech computer software industry in his first career —to the entire process, from research to installation of completed sculptures. This substantially reduces risk to our sponsors. Rob's resume is filled with experience in management, project management, financial planning, and historical research. He uses many computer -based tools for these purposes, some of which he created. We also have experience in design and construction of landscape models for public art projects. We have built these models ourselves, and in collaboration with landscape architects. We would enjoy working with the landscape architecture team selected by the Committee if the need arises. SUBMITTED INTO ThE PUBLIC RECORD FCfl ITEM ) ON 7-2-O7 © Daub Firmin Hendrickson Sculpture Group, LLC 10 Daub Firmin Hendrickson Sculpture Group October 30, 2006 Sculpture Genealogy The sculpture group's partners trace their artistic lineages through the American, institutes where they have studied and taught, and the artists who taught them; who in turn trace their lineages back to the great figurative sculptors of I9th century France. Using the timeline on the left, you can see that, of the three partners, Eugene Daub has by far the greatest amount of experience as a sculptor. I. 2001 Date of Entry to Sculpture 1975 1880s Thomas Marsh Rob Firmin SF Academy of Art National Academy of Design I Kenneth Glenn Ivan Mestrovic Jonah Hendrickson Eugene Daub __A Johnson Atelier Stephen Perkins Pennsylvania Academy for the Fine Arts EvAngelos Frudakis American Academy in Rome Prix de Rome Auguste Rodin Carrier - Walker Hancock Ecole des Beaux-Arts Classical America: Arthur Ross Award Charles Grafly Academie Julian e.g., Henri -Michel Chapu, Jean Alexandre Joseph Falguiere Francois Jouffroy Eugene Daub's Arthur Ross Award from Classical America is evidence of the figurative art community's recognition of his exceptional ability to integrate his work with architecture. Each Ross award is bestowed either on an architect or a sculptor, but not both. © Daub Firmin Hendrickson Sculpture Group, LLC SUBMITTED INT Por-t4 1 p rr UL4 L i 'z _ 1 ITEMpq, Daub Firmin Hendrickson Sculpture Group October 30, 2006 Finally, we have always worked with a broad spectrum of people, especially during the enlargement and bronze -production phases of our projects, and enjoy this representation from many backgrounds and both genders. Budget Our budget for the Julia Tuttle monument includes: • Site visit • Design • lviateriais • Sculpting • All production costs • Delivery • Installation. The sculpture will be in bronze. Table 2 shows our budgets for diff-rent heights of the sculpture_ Table 2. Budget Height in Feet 8 10 12 14 Cost $140,000 $180,000 $228,000 $285,000 The cost of bronze has incr- . • ubstantially over ' = .. st two years in response to demand for copper in Asia. While the cost of bronze material does not constitute a large percentage of the budget, the totals will have to be revised in 90 days if bronze -price escalation persists. Our price will be fixed, however, once a contract is executed. T" The project's timeline depends upon the size of sculpture selected by the Committee. Larger sculptures require more work to achieve the same degree of quality. 9 © Daub Firmin Hendrickson Sculpture Group, LLC TO PUBLIC RECORD ITEMmt ONi2.-o7 12 irmin Hendrick n Scul ture Group Table 3 provides a separate ti . - ' e for - - eig Ac°' able 3. Timeline Summary Height in Feet Calendar Months from Contract to 8 9 10 9 12 10 14 10 October 30, 2006 \ (A Y C Our sculpture group has - . 1 of its dead • - . • . ate. Regardless of height within the range of 8 to 14 feet, this project should make its deadline of December 2007. A detailed project plan is available if desired. Foundry Or foundry of choice is Artworks Foundry in Berkeley, California. Artworks has an excellent reputation within the United States and in Europe and Asia as one of the best Fug arts foundries. We have an excellent working relationship with Artworks, and have had excellent results from them. Dale Smith, President Artworks Foundry 729 Heinz Avenue Berkeley, CA 94710 Phone: 510 644 2735 Fax: 510 644 0696 Website: www.artworksfoundry.com ocP �u / Rf-c€--57 pA\t Submitted Into the public recorg,i,n connection with itemt'h- j on 7-Z4)-07 Priscilla A. Thompson City Clerk ©Daub Firmin Hendrickson Sculpture Group, LLC i 13 &)"%°t S)4 `C-Ck SS" Daub Firmin Hendrickson Sculpture Group October 30, 2006 Portfolio Samples Please refer to the annotated irnage identification list to see fourteen examples of our work in: DFH Portfolio Image Identification for Julia Tuttle.pdf The list corresponds by number to the numbers on the full-size jpg image file names. ll-TED INTO THE U3LC RECORD FOR TEMrri7 128.1 ON 7-24- 07 © Daub Firmin Hendrickson Sculpture Group, LLC 14 EUGENE L. DAUB Daub Firmin Hendrickson Sculpture Group, LLC 650 Vincente Avenue Berkeley, CA 94707 dfhscuipturegroup@sbcglobal.net 510 524 2235 Eugene Daub has work in the permanent collections of the Smithsonian Institute, The British Museum, Ellis Island Museum, as well as many other public sculpture installations across the United States. He is an accomplished portraitist. Two of his recent monumental works commemorate Lewis and Clark: the 18 foot high five -figure monument in Kansas City, and the 17 by 8 foot bronze relief, about to be dedicated as the centerpiece of the Montana State Senate chamber. Another recent monumental work is the USS San Diego Memorial, dedicated April 2004. Last year Eugene and his team were awarded three major commissions, including a Thomas Jefferson and the four monumental niche sculptures for the Rotunda of the Utah State Capitol —all three are in production. Eugene is the recipient of numerous awards in full -figure, monumental and bas-relief sculpture, including the J. Sanford Saltus Award and the American Numismatic Association Gold Medal for Lifetime Achievement in Bas Relief Sculpture. In 2002 he was awarded the Arthur Ross Award for sculpture from the Institute for Classical Architecture and Classical America. Collections American Numismatic Society, New York City Bank of America, San Francisco British Museum, London Brook Green Sculpture Gardens, South Carolina City of Fountains Foundation, Kansas City, Missouri City of Oakland, California Discovery Channel, San Francisco Dutch Consulate, Philadelphia Ellis Island Museum, New York City Episcopal Academy, Philadelphia Explorers Museum, Kansas City, Missouri Monuments Conservancy, New York City Helsinki Art Museum, New York City Holy Cross Cemetery, San Diego Klein Foundation, Philadelphia Koret Foundation, San Francisco Lucent Technology, Bell, New Jersey Michigan Institute of Technology Missouri Historical Society, St. Louis National Park Service, U.S. New York University, New York City NORCAL Sculpture Garden, San Francisco Tiffany's, New York City Oakland Federal Plaza, California Queen of Apostles, San Jose Rhode Island School of Design, Rhode Island U.S. Capitol, Washington D.C. San Francisco International Airport Smithsonian Institute, Washington D.C. St. John Neumann, Miami, Florida St. Timothy's, Escondido, California U.S. Park Service, Guam UNICEF Headquarters, New York City United States Treasury, Washington D.C. University of Michigan, Ann Arbor University of Pennsylvania, Philadelphia. University of San Diego University of San Francisco Daub Firmin Hendrickson Sculpture Group: Eugene Daub Resume 41 } 1. �TED 1 N a,.. IC RECOr:\ ,A1/ _e-.a r � C '� ��1; p11. /-2h -o7 Awards Competitions Classical America, Ross Award for Sculpture. New York, 2002 Brook Green Sculpture Gardens, Medal, Helsinki, 1991 J. Sanford Saltus Award, New York, 1991 American Medallic Sculpture Assn., New York, 1991 US Delegation to FIDEM, Medal Helsinki, 1990 American Numismatic Society, New York ,1986 Artists' Guild, Gold Award, Philadelphia, 1985 Artists' Guild, Silver Award, Philadelphia, 1985 Education GirardCollege, Philadelphia Pennsylvania Academy for the Fine Arts, Philadelphia University of Pittsburgh Alfred University, New York Teaching Pennsylvania Academy for the Fine Arts, Philadelphia, PA Philadelphia Museum of Art, Philadelphia, PA University of Arts, Philadelphia, PA ScottwiAle Artist's School, Scottsdale, AZ The Johnson Atelier Technical Institute of Sculpture, Rutgers University NJ University of Connecticut, Fairfield CT. Sculpture Workshop - Fall 1992 Academy of Art College (now University), San Francisco, Sculpture Dept. 1993-2002 Scottsdale Artist's School, Scottsdale, AZ., Sculpture Instructor 1991-current Loveland Academy of Fine Arts, Loveland, Colorado, Sculpture Instructor 1993-current Armory Art Center, West Palm Beach, Florida, Sculpture Instructor 1994-current ASSOCIATIONS AND MEMBERSHIPS Vice President, American Medallic Sculpture Association Fellow, National Sculpture Society and former Vice President Fellow, The American Numismatic Society. Fellow, American Medallic Sculpture Association Fellow, American Numismatic Association Medallic Art Society of Canada SUE3MTTED LNTO i PUBLIC RECORD TEM pg. ON-,-oi.-,. Daub Firmin Hendrickson Sculpture Group: Eugene Daub Resume 2 ROBERT L. FIRMIN Daub Firmin Hendrickson Sculpture Group, LLC (DFH) 650 Vincente Avenue Berkeley, CA 94707 dfhsculpturegroup@sbcglobal.net 510 524 2235 My focus in the Julia Tuttle project is historical research, creation of composition concepts and project management. My extensive management and planning background enhances the team's ability to minimize project risk, Le., to deliver high quality on time and within budget. I will also contribute to the sculpting. My canes and education have ranged across the study of history and art history to the invention of statistical methods, modeling techniques and project -management risk reduction, to software cons and design. I have founded a few companies around my ideas, the best known being Javelin Software Corporation, and have managed numerous complex projects —in high tech and scull. One ofniy greatest joys is building effective teams and helping them stay on track. Eugene Daub and Jonah Hendrickson are two of the finest people anyone could work with —I look forward to the opportunity to engage our team on this project. SCULPTURE I have studied sculpture from an art history perspective beginning in college, but began to sculpt and take sculpture courses in January 2001. My excellent sculptor -mentors include: Eugene Daub (fib monumental figure, portrait, relief, and production techniques), Thomas Marsh (portrait and sculpture aesthetics), Carol Tarzier (figure & portrait), Stephen Perkins (anatomy and figure), Tebby George (figure & portrait), and Bill Faman (relief). My individual sculpture artwork includes many portraits and figures. PROJECT MANAGEMENT & GENERAL MANAGEMENT EXPERIENCE Management experience is critical when assuming responsibility for the large sums invested in public art projects. Project management and senior business experience eliminate many of the tmcertainties commonly associated with complex projects. The tools I use for DFH projects include MS Project, MS Excel and Javelin. I can use the full range of MS Project's capabilities—DFH projects focus on Gantt charts, resource availability and usage, resource dependencies, dead -time elimination, and tracking. Excel is used for simple computations, and Javelin is used for more complex modeling. The landscape portions of DFH projects always involve construction contractors, and the contractors we select have extensive internal project management capability. Daub Firmin Hendrickson Sculpture Group: Rob Firmin Resume , .1 FTED INTO THE _IC RECORD FOR PA.' ON 7-2(0-ol. My project management experience originated in the high-tech sector. In addition, I have served as one of the key players in many projects involving the construction of factories, hiring of thousands of employees, forecasting of demand for and timing of all of the critical elements required to drive a Fortune 500 company forward. My most complex experiences, and the most rewarding, were those where I had total responsibility for coordinating the creation and expansion of my own company, where many estimates and decisions were of a magnitude that could make or break the enterprise. All of this experience is brought to bear on our sculpture projects. I have continued to refine my appreciation for and skill in controlling risk, which is the central dynamic element of all projects. Risk = uncertainty with unpleasant potential consequences. One of my roles is risk management —to maintain high quality at all stages, eliminate the risk of late delivery and make certain the client's money is spent wisely. Finally, the most important single task in project risk management is to maintain clear communication with all parties, using organized information. I have managed approximately 35-40 significant projects in sculpture and in high-tech. 2004 - 2005 Daub Firmin Hendrickson Sculpture Group Project Manager Berkeley, CA & San Pedro, CA & Sculptor I serve as the group's project manager in addition to my roles in historical research, composition and sculpting. Over the past year, I have created all of the group's plans for four major monuments, involving 3 outdoor landscapes and 1 large indoor installation. These plans require extensive vetting of experts and suppliers, and the coordination of their personnel, materials ordering and schedules into coherent, directed effort. 1999 - 2003 Foliage Software Systems, Inc. Vice President San Jose, CA Managing Director Responsible for creation of the Silicon Valley Development Center for this industrial software development company_ Hired and managed all staff, including engineering, sales and administration. Designed new estimation processes and tools, and the company's sales force/sales tracking system. Supervised multiple software -development projects. 1994 - 1999 Polaris GuideLine Corporation CEO/ Bedford, MA Founder Market -driven GM/telecommunications services company with proprietary software and hardware. Conceived and designed products, and managed development. 1993 - 1999 DataWeave Bedford, MA Founder Invented and jointly designed ultra -fast and flexible multidimensional database software. 1989 - 1993 Information Resources, Inc. (IRI) Senior Vice President Software Products Division, Waltham, MA Lead the Javelin business and its engineering. Last year at IRI was SVP for Windowing products. 1983 - 1989 Javelin Software Corporation CEO/Chairman Cambridge, MA Fou ED INTO Daub Firmin Hendrickson Sculpture Group: Rob Firmin Resume , , LC RECdRD TEv1 vA, i ON -r -u-o1 Conceived and jointly designed Javelin, still the only software that automatically creates multi- dimensional perspectives of the structure of quantitative models. Won: InfoWorld Software of the Year, PC Magazine's Award for Technical Excellence, PC Week's Most Significant Product, and CHIP Pdlagazine's Best European Business Software awards. Sold company to Information Resources, Inc. Put Javelin through all of its product releases, which involved extensive project management of its technical design and development, its marketing and its distribution. 1981-1982 Computer Pictures Corporation Chief Financial Officer Boston, MA Established and managed all financial functions, including planning. 1978 -1981 Prime Computer, Inc. Manager of Market Analysis Natick, MA Manager, Financial Planning Designed and built what today would be called a CRM and business intelligence system, including a customerfmarket database and model, while managing market analysis group. Rponsible for all corporate financial plans. Extended planning and evaluation across company. 1976 -1978 International Business Machines White Plains, NY Consultant Designed survey, demographic and statistical market research for original IBM PC project. FORMAL EDUCATION 1976 -1978 Columbia University MBA Focus on finance and marketing. Worked 20 hours per week at IBM in second year on market research designs for early PC project. 1970 -1978 University of Chicago MA, Ph.D. Demography and sociology, with emphasis on research, including primary and secondary sources. 1966 -1970 Denison University BA Double major in history and art history, with Honors in both. Studied historiography, which has proven invaluable as I continue to pursue history. Historiography, and a nine -week archaeological expedition to Yugoslavia introduced me to rigorous approaches to historical research. Research capabilities were greatly expanded at the University of Chicago, including surveys and interviews. PUBLISHED RESEARCH Published research has been in new measures I created to help project managers track and dynamically forecast project outcomes, and in automated control and process failure prediction in semiconductor manufacturing. Daub Firmin Hendrickson Sculpture Group: Rob Firmin Resume SUBMtTTED INTO PUBLIC RECORD 1TE!i__ON7-oi' _ JONAIH HENDRICKSON Daub Firmin Hendrickson Sculpture Group, LLC 650 Vincente Avenue Berkeley, CA 94707 dfltsculpturegroup@sbcglobal.net 510 524 2235 APPRENTICE TO EUGENE DAUB QUALIFICATIONS SUMMARY • Accomplishment as a commissioned artist in my own right • 10 years of twining and experience in sculpture • Work with nationally recognized artists • Mature skills in portrait and full -figure sculpting, molding and casting • BA in Studio Arts, UC Davis • 2 courses in figurative sculpture at the Academy of Art University, San Francisco 9 significant formal courses, workshops and tutorials, beyond BA, in figurative sculpture Development of studio with full professional -grade equipment and 5,000 sq. ft. of space for sculpting and teaching. ARTIST'S SKILLS • Creative ability and experience • Hundreds of piece produced • 2 recent commissioned sculptures of luminaries: Richard Atkinson and Kent Nagano • Multiple private commissions • 6 exhibitions • Representation in San Francisco gallery • Focus on dignity of final sculpture • Realist portraiture • Full figure, male and female: accurate anatomical proportion and movement • Knowledge of historical perspectives on figurative sculpture • Knowledge of mold making and slip casting • Experienced in photographing and exhibiting works • Many tools skills, including armature welding SUBMLTTED INTO PUBUC RECOR` ITEM 9 . j ON 7-26,-01 Daub Firmin Hendrickson Sculpture Group: Jonah Hendrickson Resume 1 EDUCATION Academy of Art University, San Francisco, CA • Advanced Portrait Sculpture with Thomas Marsh, 2004 • Figure Modeling with Thomas Marsh, 2002 Formal Courses and Workshops Outside Universities, (Iisted by artist - instructor) • Eugene Daub: Portrait Sculpture in the Round and in Relief, Berkeley, CA, 2004 • Stephen Perkins: Anatomy in Ecorche (6 month course), Berkeley, CA, 2003- 2004 • Vince Perez: Human Anatomy, California College of Art (audit), Oakland, CA, 2002 Richard Macdonald: Professional Sculpting Workshop, and The Business of Art Workshop, Monterey, CA, 2002 • Andy Ameral (Instructor of Drawing and Painting, at The Florence Academy, Florence, Italy): Sight -Size Workshop at The David Hardy School of Realism, Oakland, CA, 2002 • Georgiana Krieger: Figure Modeling (private instruction), San Francisco, CA, 2001-2002 • Harriet Moore: Figure Modeling and Portrait, San Francisco, CA, 2001-2002 • Carol Tarzier: Figure Modeling, San Francisco City College, San Francisco, CA, 2000 • Diane Vanderzanden: Figure modeling, Berkeley, CA, 1999 Apprenticeship with Professional Sculptor • Bruce Wolf, 2001-2002: Participated in creating the monumental sculpture of Barbara Jordan installed in Austin's International Airport, Texas Bachelor of Arts in Art Studio, Minor in Rhetoric and Communications • University of California, Davis, December 1997 Studied ceramics, figure modeling, 4 semesters independent study in sculpture Also studied art history, photography, painting, drawing, computer graphics, silk-screening, video • Studied with Wayne Thiebaud, Squeak Carnwath and David Hollowell, 1993- 1997 Pre -University • Berkeley High School: Ceramics, drawing, silk-screening, photography, video production, 1989-1993 • California College of Art, Oakland, CA: sculpture, bronze casting, design, ceramics 1989 • University Village, UC Berkeley: Ceramics, 1984-1985 SUBMITTED INS Daub Firmin Hendrickson Sculpture Group: Jonah Hendrickson 1BLIC RECO' ITEM pa, ONl.2o? TEACHING Extensive experience teaching sculpture to a wide range of ages as instructor in many courses. MEMBERSHIPS • California College of Arts Drawing Group • Pro Arts • Berkeley Art Center • National Sculpture Society • National Council on Education for the Ceramic Arts (NCECA) SUBMITTED INTO TF r. PUBLIC REGARD FOR ;TFMva., ON7-z-- Daub Eugene Daub References Ms. Catherine Sass, Public Art Director Unified Port of San Diego 3165 Pacific Highway San Diego, CA 92101 619 686 6465 USS San Diego Monument National Salute to Bob Hope and the Military Arnold Olsen, Director Montana Historical Society 225 North Roberts Helena, MT 59620 406 444 2694 Lewis & Clark commemoration Debra Lehane, Program Director San Francisco Art Commission 25 Van Ness, Suite 240 San Francisco, CA 94107 415 252 2590 2 portrait projects at San Francisco International Airport Leslie Elwood, consultant to Port of Los Angeles 8675 Falmouth Avenue, #220 Playa del Ray, CA 90293 310836 6512 Phinneas Banning Monument Allan Tait, Assistant Director Port of San Diego Art Commission San Diego, CA 92112 619 686-7246 USS San Diego Monument Jim Licarets, President American Medallic Sculpture Association Edmonds, WA 310 832 6993 Donald M. Reynolds Art critic/ historian; author American Masterpieces of Sculpture PO Box 608 Cooper Station New York, NY 10001 212 643 8730 Cory Gilliland, Curator Smithsonian Institute 227 Mountain View Road Willsboro, NY 12996 Long-time associate Daub Firmin Hendrickson Sculpture Group: SUBMITTED INTO THE PUBLIC RECORD FOR Eugene Daub References ITEM ON7--07. References Rob Firmin & Jonah Hendrickson ROB FIRMIN Timothy M. Bowe, Co -CEO Foliage Software Systems 168 Middlesex Turnpike Burlington, MA 01803 781 993 5500 timb@foliage.com Knows my management, project management and planning abilities Ronald J. Rubbico, Co -CEO Foliage Software Systems 168 Middlesex Turnpike Burlington, MA 01803 781 993 5500 ron@foliage.com Knows my management, project management and planning abilities Robert Bushnell Vice President, Marketing Lifeline Systems, Inc. 111 Lawrence Street Framingham, MA 01702 800 451 0525 bbushnell@lifelinesys.com Observed my elaborate planning on a complex project JONAH HENDRICKSON Renee M. Baldocci Coordinator, Public Programs Fine Arts Museums of San Francisco Legion of Honor, 100 34th Avenue San Francisco, CA 94121 415 750 7634 rbaldocci@famsf.org Selected me to sculpt in public at the museum, and to exhibit in the Rodin Gallery Dale Smith, President Artworks Foundry 710 Heinz Avenue Berkeley, CA 94710 510 644 2735 Casts much of my work Richard C. Atkinson President Emeritus, University of California 9500 Gilman Drive 5212 McGill Hall La Jolla, CA 92093 858 822 3979 I recently did his portrait bust in bronze (included in package). Daub Firmin Hendrickson Sculpture Group: Firmin & Hendricks ITTED INTO THE n L; 0.% pr rt ITEM PA.( y's 7 —2 49 — 07