HomeMy WebLinkAboutSubmittal Report on the Impact by SubratabasuDale`
To:
From:
Memorandum MwM
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March 20, 2007
Honorable Chairman Bruno A. Barreiro
and Members : • of County Commissioners
George M. Bur
County M
Murray A. reten
County Attorney
Subject: Report on the impact of the proposed 300 Grove Bay Residence development
on Vizcaya Museum and Gardens
Agenda Item No. 13(B)(1)
At the February 6, 2007, meeting of the Board of County Commissioners, the Board directed
the County Attorney, in consultation with other appropriate departments, to assess the
impacts of the proposed 300 Grove Bay Residences project (Project) on Vizcaya Museum
and Gardens (Vizcaya), located at 3251 S. Miami Avenue.
Description of Vizcaya Museum and Garden:
Vizcaya, owned and operated by Miami -Dade County, was entered into the National
Register of Historic Places on December 11, 1978, for the historic significance of the main
house and the gardens. Additionally, due to the national significance of this property and its
surroundings in the history of the United States, Vizcaya was the first building in Miami -Dade
County to receive the coveted distinction of being a National Historic Landmark on April 19,
1994. The only other building in Miami -Dade County that shares this distinction is the
Biltmore Hotel and Country Club Building, which was designated on June 19, 1996.
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= O E. hen industrialist James Deering (1859-1925) decided to build a winter home in Miami, he
if rchased a large tract of land from Mrs. William Brickell in 1912. After additional
C s bsequent purchases of shoreline, hammock and pineland, he asked Paul Chalfin (1874-
OQ ci 1 59), a young New York painter and designer, to advise him on his plans for a house.
O M alfin, who was not a trained architect, enlisted the assistance of Architect Francis Burrall
offman, Jr. (1884-1980), also from New York. Hoffman started drawing the plans for the
ouse in 1913 and traveled to Italy with Deering to observe designs of Italian villas. By this Q
W irne, Deering had decided that he wanted his winter home to be designed in Italian
�A lediterranean type architecture. The final component of this remarkable team of patron and
designers was young landscape architect Diego Suarez (1888-1974) from Bogota,
Jel Columbia. Suarez was educated in Italy as an architect and later became interested in
�- 6 c arden design, working near Florence in restoring historic gardens.
m CO WVizcaya is an outstanding example of Italian Renaissance Revival architecture. In addition to
0. I. —the main house overlooking Biscayne Bay, a formal garden and fountains, the original 180-
acre complex included a farm, livestock, and a variety of other service facilities covering
both sides of South Miami Avenue. The main .building is a U-shaped two -and -one-half story
structure wrapping around a central courtyard with the open-ended side of the U creating
the entrance loggia. Architectural elements executed in native coral rock include open loggia
and arcades and an interior courtyard with a peripheral gallery. The roof is red barrel tile and
the basic construction of the building is reinforced concrete.
SUbMf- INTO THE
Honorable Chairman Bruno A. Barreiro PUBLIC RECORD FOR
and Members, Board of County Commissiq
Page 2 . I M
While the main house is clearly oriented towards the east overlooking Biscayne Bay, the site
plan emphasizes the formal garden on the south side of the main house. Suarez oriented
the main garden away from the emerging downtown to the north side of the property, and
arranged the garden in a fan shaped plan with a central north -south axis. That axis begins
at the main house and terminates at a garden house perched atop a raised hill at the south
end of the axis. The design of the main garden was inspired by Suarez's extensive
knowledge of Italian gardens. The design of the garden creates a perfect setting for the
house by integrating a number of architectural elements, such as terraces, balustrades,
sculpture, and decorative urns, as well as fountains, pools, and cascades within several
themed gardens. An important characteristic is the deliberate juxtaposition of the formality of
these carefully manicured gardens with the surrounding natural hammock and Biscayne
Bay. The hammock serves as a backdrop to the formal main garden. This juxtaposition
insulates Vizcaya from any visual intrusion of the surrounding urban areas and was
designed to visually transport a visitor to another time and place. This sensory perception of
being transported to a different time and place is crucial to the historic conception and visitor
experience of Vizcaya.
In 1952, Deering's heirs generously conveyed the main house and the formal gardens to
Miami -Dade County. Deering's heirs also donated the estate's substantial furnishings and
art to the County on condition that Vizcaya be used as a public museum in perpetuity. In
1955, the County exercised the option to purchase the village on the north side of South
Miami Avenue. Today, Vizcaya provides a tranquil escape from the hustle and bustle of the
city that grew around it and is a major destination for art lovers, tourists, photographers and
filmmakers. Revenue generated from these sources supports the maintenance and
operation of the museum and gardens.
Description of the Project:
The Project is a residential development on a land area of a little over 11 gross acres on the.
southwest corner of the Mercy Hospital property along the Bay. The proposed development
includes 300 luxury residential units, which range in size from 3,200 to 4,000 square feet, in
three towers placed over a deck structure that includes recreational and other amenities and
approximately 642 parking spaces. The height at the roof canopies of the towers range
from approximately 422 feet to 314 feet. The tower nearest to the Vizcaya is approximately
2,100 feet away and is 422 feet tall.
Impact Analysis:
• The County concurs with the City of Miami Planning staff recommendation that °the
project is out of scale with the area, and the rezoning of the property should be
consistent with the adjacent neighborhood, which is R-3 zoning." The proposed
rezoning of this property allows unlimited height. The majority of the developments
around the area are single family and low-rise development (including Vizcaya). The
tallest building in the immediate vicinity is within the Mercy Hospital campus and is less
than 170 feet in height.
• The listings of Vizcaya in the National Register of Historic Places and as a National
Historic Landmark require that the attributes, features and characteristics that
contributed to such designations be preserved and protected.
• Vizcaya is a Facility of Countywide Significance and the County Comprehensive
Development Master Plan provides for protection of such facilities.
• Neither the City nor the developer recognized the impact of this Project on Vizcaya
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Honorable Chairman Bruno A. Barreiro
and Members, Board of County Commissioners
Page 3
during the development of the plans.
• The Project does not appear to have any adverse physical impact, such as noise,
shadows, dust, or traffic, on the Vizcaya property.
• The Project will, however, have an impact on one of the most prominent attributes of
Vizcaya, the view from the house and the garden. The visual impact of the proposed
towers would impact the feeling of immersion that visitors currently experience.
• Compromise of the view from the house and garden could diminish historic integrity.
• A compromised view from the garden may also have a negative impact on Vizcaya's
ability to generate revenue through special events, photography and film permits.
Assistant Clilunty Manager
SUBMITTED INTO THE
PUBLIC RECORD FOR
ITEM a's' ON .
Attachments:
Appendix A: Renderings prepared by Richard Heisenbottle, Architect for the Vizcaya.
Appendix B: Independent verification of the visual impact of the height of the towers.
Appendix A
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Appendix A
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MUSEUM & GARDENS
Panamerican Consultants, Inc.
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Appendix A
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Panamerican Consultants, Inc.
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Appendix A
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SUBMITTED INTO THE
PUBLIC RECORD FOR
ITEMON 3-a7_07.