HomeMy WebLinkAboutM-85-0052• 0
MIMPOLITAN DAM COUNTY, FLORIDA
December 20, 1984
The Honorable Maurice A. Ferre
Mayor of City of Miami
Carlos Campilli Office of
Public Information
3500 Pan American Drive
Miami, Florida 33133
Dear Maurice:
MIAMI•DADE PUBLIC LIBRARY SYSTEM
ONE BISCAYNE BOULEVARD
MIAMI, FLORIDA 33132--9585
(305) 579.5001
As you well know, we have been working on the Miami Generation/9 Cuban
American Artists exhibition that will take place in Philadelphia next
February 8th. I know that Mayor Good has extended a personal invitation
to you to attend the opening ceremonies.
�• In order for this project to be a success, we would like to request the
City's assistance in helping us defray the cost of printing the catalog
in the amount of $1,000.00.
Please let me know as soon as possible your thoughts on the matter and
whether or not you will be able to be present at the opening February
8th.
Best wishes for the holiday,
• ...ram
Margarita Cano, Coordinator
Community Relations Department
MC/yr
85r-52
C I T Y O F P H I L A D E L P H I A
W WILSON GOODE
MAYOR
Dece ibeA 4, 1984
The Nonouble Mauh ice A. FeAAe
Mayon o6 Miami
Miami City Nate
3500 Pan Ameh.ican DA.ive
M.iami., FtoA.ida 33133
Dean MayoA FeAAe:
1 take gAeat pleasuhe .in inviting you to visit Philadelphia on
FA.iday, FebAuany 8, 1985 6oA the opening Aeeepti.on o6 two exhibitions,
"Miami Genehation6" and "Time and Time Again: Two ImmigAant Groups".
The Aeeept ion w.1.,Q,E be heed SAom 5: 00 P.M. .to 8 : 00 P.M.
One o6 Phitadeeph,i.a's leading cu.CtuAal .i► 6t tuti.ows, .the Balch
Institute 6or Win.ie. Studies, has been cottaboAating with the City
o6 Miami. and Dade County in this exhibition.
"Miami Genenaxi.ons," a tAaveting exhibition organized by .the
Cuban Museum o6 A4t6 and Cuttune, ine.budes 36 woAks o6 6ine aA.t by
seven Cuban Ame.Ai.ea.n axtizts. "Time and Time Again: Two ImmigAan.t
Groups," is a photo -documentary by Gahy MonAoe, a FutbA.ight awand-
winning Miami pho,tographeA.
The City o6 Miami and .the Dade County Counc-it o6 AA.ts and
Sciences were extAeme.Cy 6uppo&ti.ve and hetp6ut .in .this cuttuhal
e6joxt.
This exhibition is a 6ine example o6 tegionat cuttuAa
cottabonati.on and coopeAa tion. The City o6 Phitade.ephia. would be
honored by youA pAesenee at the opening o6 the exhibition.
I hope you witt put tAiz date on youA catendaA and contact
OZiver FtankZin, Deputy City Repneeenta ive 6o4 An,t6 and Cu tuAe,
(215) 686- 9685, so aAAang ements can be made SoA your visit heAe.
Si.nceAety,
►. w;LSON GOODE
109: dml
85-52
C1 ALLER&S / Jane
_ ws i
ple who are exiled in
trc
ildhood most have a par-
ttlarly rcla-
nship reality. Where
mosi`tio# us aro 4reed to grow out
Of � tales aNd childhood
.dr ,their•skilestmemories
atx pert of a trees tired lost
loge, an actual cif only half-
rrnembere.d) tnythie past.
,E d ildsfn Ww up, of
tta dt9ppe with the
t+btl a e6f adopted country.
-Sit dW miy preserve. longer
•tom ttto _ ed utrrlinlU too►
t *ytabout what was
nttt•1t�l�e Erase trya equal
sArat'� mittd what is.
.)it rihowlUrprising the& that a '
ttaodedcy tdmeditate, on the ten-
u6us nature of the real is charac-
teristic of "The Miami
Generation;' nine young painters
vv all were Horn in Cuba and..
educated in the United States.
Their exhibition at Meridian
(163gC.rescent Place NW). .
'ts Nu of dislocations in time and
space, of ambiguities in identity,
bi�tf unpexI to reveal.
i�frts�
What is surprising is how good
these artists are, considering the
statistically small pool from which
they were drawn. Says project
director Margarita Cana. "I
wanted to concentrate on a selec-
tiorrof [Cuban-bom) artists that
had attended school in Dade .
County, had studied, exhibited or
taught at the Miami -Dade Commu-
nity College or attended Florida
International University, the Uni-
versity of Miami or Barry College,
and had developed aesthetically in
Mismi.
Following Miss Cana's explicit
instructions, guest curator Giulio
V. Blanc has mounted a show
which is infinitely stronger and
more provocative than the usual
ruq of regional exhibitions. At
least one of the artists already has
made a name for himself well
beyond the steamy confines of
Dade Country, and many of the
others are likely -to do so.
Juan.Gonzalez's dreamlike
watercolors and drawings are car-
ried by the Nancy Hoffman Gal-
lery in New York and have been.
seen in museum shows up and
The Washington Times
Tuesday 21, 1984
drawn, the portraits on view here
are like the little shrines we some.
time make for our faraway
friends by pinning up their snap-
shots, letters and memorabilia on
a bulletin board. The actual drawn
or painted portrait is only a tiny
fragment of the whole, which
evokes the absent
personality through drawn or col- t
laged objects and painted, col- ,
laged or drawn frames.
It seems to be a trait of these
exiles to try to bring the faraway
closer to the prebent by
superimposing images. Carlos
Macia. an impressive graphic art-
ist, makes colored etchings and
paintings that nest illusions within.&
illusions. In "Basic Colors" for
example, a deep perspective draw-
ing of a Baroque church seem-
ingly peels away from the page to
reveal what look to be Jewish
cabalistic symbols beneath..
Emilio Falero is evemmora
audacious in his juxtapositions.
with real flair. he has painteO:Ver-
meer's famous" Girk.WithTur.-
ban" in front of a slighdt• .
washed-out "Br0adwa%Bgc8ia
Woogie,, b!N dkoou
separated by
Dutch ma Wef"'_
fully well together in this truly n
Mr. Falern,.whiCkw
tity of culture over -a
paintings by Vel6zquez And
Pieiaab. These pastiches t-night
sodnd hoke% but the arUst't tech-
nical mawwry &How& hitwtobt iW i
`them off With umor and'grace.
Humorous also, but ruefully
so; act Maria Brito-AvellatuVV '
assemblages.
' 'fhert have been many depic-
tions of the scenario in which A
girl waits for a man's call after an
affair. but Miss Brito-Avellana's
"After -the Conquest" must surely
be oaf of the most imaginative. A
white chair with brightly
colored wings has a spiraling t
phone line running from a little +
cabinet in its back to an ear in its
seat. In another assemblage mock,
ing the idea of women's vanity, a
woman's head with features
blanked out stands before the mir-
ror, while in bottles on a shelf on
the wall are engravings of a
mouth. a nose and two eyes:
One can't help but see the
strong influence of both literary
and artistic surrealism on these -
objects and on many other works''
in the show. Latirr American liters-'
cure is particularly rich in''surreal-
'Z�
ist or magic realist writers, and i
4.
one wonders whether they` '
have not directly or indirectly
w
influenrced these artists. Certainly
r
the Miami generation's own sense "
of dislocation would be reinforced
and legitimized as subject matter
by such' major writers as Gabriel t
Garcia Marquez, Jose Luis Borges
and Carlos Fuentes.
Even Humberto Calzada's
cteaniy painted architectural vis-
tas are- fuII of the kind of spatial ,
;{
ambiguities loved by the surreal-
ists.
Othej interesting works on view •.
are Cezar Trasobares' large wall
r•
assemblage, mining the
folkways of the Cuban colony in
=_
Miami, and the ambitious mural-
;
size paintings of Pablo Daniel 1
Cano. the youngest of these art -
fists. Although Mr Cana does not
yet have: he mastery of drawing or
'
painting needed to carry off his
large metaphorical figurative
schemes, his work has a great deal
;?
of energy
µlist makes a small, relatively_
-
isolated Stroup of artists suddenly
catch fire and produce
innovative works? It has happened '
over and over again in the history
of modern art. but the chemistry
of the process still remains a
myster)a :among these artists at
a
least, the generative sparks seem
{
to have corhe from the intensity of
their common experiences and the
`s
depth of.the dialogue arising from
I
them. •••
One owes a debt to WLTV Chan-
nei 23 in Miami, whichlmderwrote!-t`
most of the expenses of this show,
which opened at the Cuban
n
Museum of Arts and Culture isr
f•
Miami. The Miami GeneratioW
'{
will beat titeridiarl House..
x
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t k
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.,q
� 1HE BALCH INSTITurE for ElHNIC STU�I�S
18 South Seventh Street, Philadelphia, PA. 19106
August 27, 1984
Margarita Cano
Art Services Administrator
Miami -Dade Public Library System
1 Biscayne Boulevard
Miami, FL 33132
Dear Margarita:
This is to confirm our plan to mount an exhibition on recent
Cuban art -- an update of'Miami Generation -- at the Balch Institute
from February 8 through April 5, 1985. This exhibition will be held
in conjunction with an exhibition of Gary Monroe's photographs of
the retired Jewish community at South Beach and Haitian refugees at
Y.rome Resettlement Center.
As we discussed, I think 35 to 40 works will be sufficient
far the space available. Those which have the most significance
from a documentary standpoint are the ones we would like to most
represent.
We will need to get some outside support if we want to update
your catalogue. I would like to publish a modest catalogue of Gary
Monroe's photographs for which we will need a subsidy as well. Can
you give me some idea of what the shipping costs would amount to,
and any possible funding sources?
`. We can plan in more detail when I am in Miami next month
(September 26-30). I look forward to working with you on this
exciting project.
Sincerely,
Gail F. Stern
Museum Curator
P.S. Thank you for your offer of hospitality -- it would be a -
pleasure to stay with you while I'm in Miami.
r=
85-52
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HE BAr,..H INSTITurE for �`1HNIC STUDIES
1 18 South Seventh Street, Philadelphia, PA. 19106
Dr M MCI* S1010nk
Executive Dkoctot
Boord of Trustees
Samuel H Bouom Jt
Chairman
John G Haas
Vice Choimon
Arexondro B. Godoski
Secretory
John F. White
Treostser
Michael Spring
Kenneth Cann
Dade County Council
20U S. Miami Ave.
suite 281
Miami Florida
of Arts and Sciences
September 11, 1984
Dear Mr. Spring and Mr. Kann,
I am writing to confirm the meeting
° Margarita
Caofnsehas
scheduled
on September V at 10:00 regarding P it
• "Miami
assistance in bricuring
nging to Philadelphia two exhibitions of note.
Generation" featuring approximately 36 works of art by Cuban -Americans
nt �� a photo -
in Miami, and t'fTmeand TiretiredmJewlshncommunityTofaSouth Beach and the
documentary of the b Gary Monroe, a Fulbright award-
Bkion Ako
ao aver t
Haitians at Kroe Resettlement Center
winning Miami photographers,
Robert C. Chapin
Hon Beatrice K Chou-sock
The Balch Institute for Ethnic Studies is a museum, library and
the ethnic experience
�„
RMXXZfe H,Ds
s J. FingeroW
archives devoted to preserving and interpreting
1 eased to be able to work with the Cuban
Dade
Willies
William sasiie
Dr. Rose Basile Green
in America. We are very p
utheseblic Llmportantnshows d the
Arts and Culture , the MmtoDbri
Rd. A WRliom Hoglund
Rownm.Howe
Museum of ngade
County Council of Arts and sciencesThe exhibitions raise
to the city.
SondoP.Kenton
Marie A Lederer
before Pniladelphians and visitors
regarding U.S. immigration policies and practices,
vi s tors an
CoryLevinsor, Esq
Mrs. Ronk P. Louchheim
questions
important q
and should be of great interest to a broad spectrum of
Rd. Randall M. Mdler
tourists.
Michael Novok
vroon W. Rasecki
WayW p. potomkin
Attached is a projected budget for the exhibition. We are
the c of i shipping,
Mrs
Emily C. Riley
Rd. Timothy L. Smith
publ i shi ngosts
seeking a subsidy of $10,000 inorder
to Phi i adei phi a;
transporting eception
Constontlne s Sosangel's
Dr. James Tonis
crating and opening
catalogue and brochure, and hosting earformal
s of Philadelpniats City
Flan Paul A ironchiteik7from
Ha,AmoC�bottiverno
visiting officials ials alMeady received a pledge of $1200 from a private
ea photographs,
D,.morvinwochmon Government.
a catalogue of Gary Monroe's
Hor, Nathaniel washirgion donor toward the support The
($t40U) matching f
Cecilia wyVep
support, and
if we can secure double that amount
and dministrative
ratoriala
ins tallation, as well as the
Emeritus Balch Institute will offer
Rd. Edward P Hutchinson cover the costs of insurance, could
Any ce you
fort for the ifunding sourcesforthe project
promotional efwould
provide in identifying potential
be greatly appreciated.
I IooK forward to seeing you on the �7tn in your office.
Sincerely,
94'a
Gail F. Stern
cc, Margarita Cano
Museum Curator
Miami -Dade Public Library
(215) 925 8090 85-52 -
7-7
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�..,�::r�'.�ri�:? �.'YJ �•�4F � . �LtYMc'.'S:i�... . r'�. 4: ....n Y' .. ♦ � C- - ".�l 1. �-'.v ,St �.f!:e .. rb�?lrsir��52.'iYtP�:i��e��ac .-l.LLk_�. a � _ �� I -
1HE BAM..H INSTITurE for 1FINIC STUDIES
1 18 South Seventh Street, Philadelphia, PA. 14106
Dr M Mafk Stoiorik
ExecutNe Director
Boord of lruslees
Sornuel H Baltom Jr
,t-olrrnan
John G Hoos
Yroe Chokmon
AW,tondto B Go,aski
secreim
John F. White
treasurer
Michael Spring
Kenneth Cann
Dade County Council
20U S. Miami Ave.
Suite 261
Miami Florida
of Arts and Sciences
September 11, 1984
Dear Mr. Spring and Mr. Kann,
I am writing to confirm the meeting Margarita Cano has scheduled
on September V at 10:00 regarding hid th twosexhibitionsOf sofunote: "Miami
assistance in bringing to P
Generation," featuring approximately 36 works of art by Cuban -Americans
in Miami, and' "Time nd TimJewishncommunityiofaSouth Bnt each and the
documentary of the r b Gary Monroe, a Fulbright award -
Baton Aka
wafer G coder
Haitian s at Krome Resettlement en er
Lawrence J BoinhKni
winning Miami photographer.
Robeti C. Chopin
Hon Beat rice K Chernock
The Balch Institute for Ethnic Studies is a museum, library and
the ethnic experience
Theodore H. Davis
IhOMOS J. Fingero►d
archives devoted to preserving and interpreting
to be able to work with the Cuban
Dade
�1iOtT1L CA010
"liom
Or. Rose Basile Green
in America. We are very pleased
Ltmporibrartantnshows d the
of Arts and Culture, the Miami -Dade
Prof. A Willbm Hoq►und
Rob& M.Howe
Museum bri nPutheseblic
County Council of Arts and Sciences 9 The exhibitions raise
the city.
$prim P. Kenton
Movie A Ledeter
before Phi 1 adel phi ans and visitors si tors to
regarding U.S. ion and
Levinm Esq
Cott'
ambroadtspectrumcofsvisltorscandes,
important questions
be interest
Mrs. Fronk P. Louohheim
and should of great
Rd. Randou M. mmer
Michael Novak
tourists.
a are
vivion W. piosecki
MM Veyer p. potomkin
Attached i s a projected budget for the exhibition.
$10,000 1 n order to cover the costs of shipping,
inricr
Emily C. RueY $math
Rd.rwnothvl
Sosonfle►a
seeking a subsidy of
the to Philadelphia; publishing a
and transporting ..
opening reception wit
Constantine s
Dr. ,�sfionis
crating
catalogue and brochure, and hosting a formal
of lfrompaip�s Y
Han pout A ltonohilel►o
R:)n Aj 10 C,bottivetno
visiting officials from Miami and deaepledgeeof 312UOs r i v a t e
(we have already receive
Dr. ►,Aarvin Wochmon Government. Monroe's photographs,
Han Nothoniet Washington donor toward the support of a catalogue of Gar
matching funds.) The
($and
�cyjowyYep
if we can secure double that amount
administrative ort, and
landdinstallation,asswell
Erneritus Balch Institute will offerc,ratori as the
Rol. Edward P Hutchinson cover the costs of i assistance you could
Any
promotional effort for the exhibitions.
funding sources for the project would
provide in identifying potential
be greatly appreciated.
I look forward to seeing you on the z7tn in your office.
Sincerely,
Gail F. Stern
-a Museum Curator
cc. Margarita Cano
&' Miami -Dade Public Library
(215) 925 8090 85. 52
77
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Ny�
1IEI�H INS�'IT iE for
ElHNIC STUDIES
�"�{ �r
PA. 19106
18 South Seventh Street, PhilodeBA
1phi�a,
Y 's
i lfti
1 •
U M Mork Stolorik
t Executive Director
n" and "Time and Time Again: Two Immigrant
Budget for "Miami Generatio
Board of Trustees Groups"
Samuel H BallarTX Jr
Chairman Support Requested:
.' John C Haas 3�n$-�'d—.�tiBg---'♦"'
�..:
vice chairman 2 q for Miami Generationy__
Alexandra B. Golaski s,6U0 catalogue for Time an Time Again)
secretory 1,000 opening reception
John F. While
Treasurer $10,U00
Birion Aka
Waiter G. Arader
t Lawrence J. Bomhorst
Robert C. Chapin
Han Bealnce K Chernock
Theodore H. Davis
` Thomas J. Fitzgerald
R William L Graia
Dr. Rose Bosiie Green
prof. A William Hoglund Balch Expenses (Balch Contribution to the Project):
t Robert M. Howe
Sandra P. Kenton $ 2,000 Museum Curator-1/6 time for 6 mo.
Marie A Lederer
,:...:
Cary Leivinsan,Esa. 2,225 Director of Development and Public Relations-1/6 time for 6 moti
} Mrs. Frank P.louchheim 1 100 Curatorial/clerical assistance-1/6 time for 6 mo.
Plot. Randall M.Miner 2,300 Designer/fabricator- time for 3 mo.
Michoel Novak
40U hrs . @ 6/ hr. )
Yrvion W. p;asecki 1,400 Casual 1 abor � l
Mrs Maven P. Polomkin 500 bookkeeping
Emily C. Riley
pro(.TimothyLSmith 1,200 audiovisual equipment purchase for rental)
M Constantine S. Sosangelis
Dr. James Tonis 11,7 25
°kr Hon. pouf A Tranchitella
Hon. Anna Cibotti Verna
pr. Marvin Wochmon
Hon. Nothoniel Washington
{ Cecilia Moy Yep
Ementus
Prof. Edward P. Hutchinson
8S-52'
215) 925 8090
a
7K
7�
(OUNT'I S
C
350 Years of Service to People
NATIONAL
ASSOCIATION Of COUNTIES
COUNTY ACHIEVEMENT AWARD
In � ecog�t�t�oj dlStlfl U1S�Je(� a11a contling coati-ibutlons
� 0f � }lu
N.
to tb e cause of strong ana o f Pcient Co"WO Governrtilent in America
Presented to
METRO-DADE COUNTY, FLORIDA
4
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ati F�
METRO-DADE SUCCESS STORY: A BICULTt;RAL EXPLORATION
r « r
PRESIDENT
jury 1984
85-52
77777
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PR
eN
"METRO-DADE SUCCESS S'TORY: A BICULTU:AL EXPLORATION"
NACO 1984 ENTRY BY
THE P.1IAMI-DADE PUBLIC LIBRARY SYSTEM
METRO-DADE COUNTY, FL0n: l A
85--52,'
j . 1'i,01;; .. ' Sti.•i . ;')
A r7 co::, )I ohcn. :vcc .;:,t 1 c .. c ; :"
r il,r.1 r� Sy_;t eln or€,anizcel and cool-,lj 1I.1tcd c: series of int, Id i sC i -
`_,•a
nary programs >>ithin Da;lc County wing r:s ha:�druu the cxhi-
Lit ion, "The Miami Genel ation/9 Cuban American Art ists" i%hich was
=
held for three months (October 10—Janua1 15, 1981) at the Cuban
Museum of Arts and Culturc and :ill continue to travel to the
Meridian House International in Washington, D.C. , this summer
A� !
(.June 11--August 24.) The prograiiis presentee] included lectures
�1nd seminars with audier.-c participation on socir.l sciences, liter-
- •`,.
r, j
'
;iture, music, politics and govcrnncnt.
The purpose of this project i•:as to bring a better understandi;l;
arlong the different ethl:ic groups that form the population of Dade
:_.
County. Another goal >>;ls to create a local, nation:il and inter-
:.
natir-nal awareness of the quality of education ar:•'. the cultural
cli.riate in Unde County, and hoi% it affected t1�c search for roots
of nine talented Cuban American ortists �,ho wcre born in Cuba, but
itiho greti% uwere and ere educated in Dade County.
t�
As a dcp:Irtmcnt of "ic'tro-Dada governm�'nt, the 1 ibraI csta1) is}led
an interrelationship ar.:ong the entire cop, r.,I,;) y a:Itl sex, cral importan.
='
institutions of Dade ('gully, Nc:: Turk and l:ashin ,ton, P.C. Thcsc
Wr
1nst 1tut ions were the it Col l r';C , the Dade County
Public Schools, the National Foi:ndation for the A.lvance�,:ent in the
Arts, the Cuban i1;useul� of arts and Culture, TVChc:nr.el 23, the New
York Public Library's Sc,:C�rlt`uro i:cnter, as hell i:_ , i,;aridian Ilousc
c�n�l the C:;., _!n Amcric:in Fount! .
International tlon is {;as}:ingtcn, D C
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Thcsc rclutionsl711)s arc: ti idonccc. by th,. conti;..I::., ;lctivitic� Which
'n
have (1ro:gin out of this j)re 0iCt.
--
fhe 11i31'�il')''ti role as catal� st h,.s pi-olu..ed :r.creascO support
&
Of scvt-vi:l Other libi-Live p1c..lect.z t!-.c pF:?'t.l.1!` :11?; oi-,inl:.ttion.
rt: Y Y,;. CX}'I :sscU, Cdpr)i'��Ll�it;G.1 CC'!' t,:C' 1C';1�.'.r;'' j) 1'.�1e 171'o?"1,tC'il
'
by thc: 1 ibrary.
85-52
-2-
The 1 ihrar} , s aoaI- ti•.crc-: ]) to :.or:, r t i; c] ` fcr rat ethnic grcup:;
'n FR.,
and in_titut ions throughout Dade Co;inty ana iiivo':c t):c:m in a cormion
project dcal inn 1�ith culture and edLlCation aria; 2) to brin- about a
M C,
local as well as national and international visibility to Dade County,
lv? .:"
it projecting a positive image of our community.
j Our objectives were: 1) to show the flox ibiIity of education
- found in Dade County and conduct a social study on how nine young
im,c;igrants of Cuban .origin had adapted to their na+: homeland and hoa
-
this process had
affected their personal
values, bicultural heritagf�,
ideas, -relations
to their American peers,
family and the American uay
of life; 2) produce
a video documentation
tarlcd by the Media Department
of the library,
presenting each artist narrating
their eery personal
` Y
experiences; 3)
complete a catalog of the
exhibition with a correspond-
yrr ?�
ing bibliography
which would be used as a
model by other counties
with similar �:rmigration
hroblc� s (areas
that lave large populations
of Cambodians, Vietnameses , Mcxicans, Chinese, Russian Jews ind other
ethnic groups.) The videotape and catalog; %-.ould remain as historical
documents for generations to come an how some Cub.4n immigrants adapted
life in 1lmcric;i their or: r
r to a nct� g 1s, ir!,pcs and values.
3. PROGRA,%1 RESULTS:
The results of the program ti•:crc sensational. Other areas have
expressed interest in showin(; the exhibition an- related programs.
::crirzian House in h;i�hin,ton, D.C.---a prestinious
cultural center oporating as a weico-min- center to foreign visitors
with rcg::lar exhibition's proar:.>>:.:--asl:cc', tc h;:v: this exhibition
travel there for the su:.r�ncr of 1984, from Jain, l ti: throu h August
24th. Mr. John 1ov,-i for:;r;:i• t1.S. Cmb;i,>;3'ur to `:: �i��o .:n(I curroil tl�'
director of Pleria11a11 110u-ic. lnterna`.ion, 1, thou`,}:t tiro exhibition's
im- act on foreign visitor.; be vcr+ It ::oul: Shp.
lia:jc Count}• copccl ;:n,l ;issimilatod the Cuban inrl;:x of tho 10611's,
;?,id hot: t he you;n;� ac';:p t c a -qnd f 1 n;i r i �.11 (: 1. i t h th- c.1u t iC)n anal
85-5 2
ell'. tl, tl, t l 1p) (* tll(':: l 1 _ t 1 . t• iIiid
c')r1) 1'! l0g11it 1�)il
flf visitors that attLnLkJ the ltct(lr(.: vit.tl ;;;I.i purch,l�cj
tlic. catalog to the exhibition a116 the Vidce';Ipe docu::.ntation
ITlterrt,lated with the projt-ct, the lit0rary o1-chvStT.ited a
{ series of visits by Dadc County school cllilclrcn front public and
4. .
private schools during the three months the exhibition was opened
to the public. The children were given a guided tour by the artists
n n A Iil,%r-ir%, ct!3ff Atnrn tT,?in 1 7nn r-),iirIT•nn ir;c;tn,T t)hn mitcniim c,nr)
" became acquainted with the exhibition.
Dade County will continue to have visibility as the exhibition
t.raveIs. The following are institutions were the show will travel:
1) Mi,ridian House International, 1'tasllington, D.C. ; 2) Rhode Island
School of Design, Providence, Rhocle Island; 3) Queens College of
Art, Charlotte, North Carolina; 4) Centre Pompidou, Paris; 5) Pal.acio
de Aellas Artes, Santiago, Chile; and 6) 111t:seo Tam.ayo, Mexico City.
The National and International visibility for Dade Count), %•;ill
have been accomplished at a minimum of expenditures for Dade Count),.
4 . COON 1'Y ROLE:
As director of the proiect the role of the Miami -Dade Public
Library System, a county agency, was to design and oversee the implc_-
ment.ation of this innovntive project with a projection far beyon,l
its walls. Following is a list of org;:niZrttions, community agencies
::n;l the private sector %•:ll acll 1':ere ahpro;ached to collaborate with the
project by the Art Services D'epartrwrit of tlic' Miami -Dade Public Library
System. Thev :+re: 1) the Cuban Museum of Arts a;zd Culture Tei)ich
n 7_11c•e:l to host the cxhih it i on , 1 ec tures and absorbed installation
costs, reception, and insurance for the art 2) the Miami -
Da -de Cart;;,imity l:cjllc,,c Your d;ition i.?lick provide) ftmd,ing to defrav
ti:c ccyts of printing the c:;ta?o ) the Fo"l;,dation For
tilt, AJvo;lccat.•nt in the A;,t�: l.o:l: .-L.J a. st-l-les of lectures ;and srhi; ::rs
or ;:"n ! :_t7d ;t'Ifl (ll'� :lopi'(i 1)y tl L: At 5i T'vJcCs 1}C'1),!T't'l:'lit of tl!-_ i`11;IP,I1-
{�. at the Cilb— !1 in of
III . ; i J t1t_ i(, .: :,..:,: v i';I`)l is Sc
hv i ��} :tct;T tul.��. ', t; it.11
85-52
-d-
:1 51)• . I;II I,:lt, ;t �.,? j(•` of i It t; tIll r' r")S . :' Cry_: t.
Chl!ul LI)iItlflro•: i(I I it: of
tt, th,
st;lff froii tl :liai-h;+d�' Yllbl Ic l.ii)r;:1�' 5},,tC'cc; :.1 the '�;1. Y1,?h
Pub IIc 1,ibr,-li-y SystemIs Scilomburf', Centel' 1;hic!I 1c c:Irchcs an(I
dociii-wits minority groups, eoll;1Lor:lted with a re(iucst From the
Miami -lla(IC Public Library System by taping the Nc-., )'ork scgment
of the vidrotape documentation accompanyillr], the c.•:1?ibit. In turn,
the Miaiiii-Dade Public Libra'i-y System donated to the research center
U complete copy of the tape fur their records; 6) TV Ch^nnel 23,
in collaboration with the project director from the library,
sponsored the move of the exhibition and programs to Meridian
Reuse International, l;ashington, P.C.; 7) director John Jova of
Merid i,an }louse International w i l l host the exhibition and coor-
dinate the programs scheduled for this site by the Miami -Dade
Public library System as part of this Ongoing outreach program;
8) the Cuban American Foundrition will }lost a reception for the
College Art Associi:tion convention in `.ashint;ton, D.C•. , June 12th.
The library v.ill continue to try to move the exhibition and
prot,ralns to other areas.
S. Ph..GI<A%1 DES IGIN AND IAIPI.I )IULITATION'
The prograrl tails desi -ned by the iMiam i -Dade Public Library
System and it t`:.Is the library's role to see all th'a go,lls were
iTTIpI c--?cnt c(i t%rith the cooPcrat ion of the Cuban of Arts and
Culture, the �Ii,!Mi-DildCo^11:!1_tllitY Colenc Fvundaticp., the National
Fe.undation for the Advancement in the Arts, thr Yor}; PLIM is
Library System and Dade County school.;.
r:lch institution Mid a speciCic role. Theres-
ponsiblc• for the installation., selcctioll of tho art t•;orks ai:Lt
:1)•tists Which c?oac' b',' a ctlr•:Itcr sc'lectud by tn.,;•ii:e!i-1►a(1('
full} is Lihr:Iry Systom iI"i alfzo p:'I't Oi the � i1 ii::1 �: :i 1Jl?. ThC
fur the i(_tu:-c--:i ? ;in, I:I:.L�'r.. 'lam •� used fo:
I)roC'I- I.!I. The l it,rar�' o;-erlool:-,J t}Ie implci7-i,`atjoll of tI:_
(;r)t_littl' `C'1:r) i C'h l l it l'Ci)' � 1' . ` I L s :.I? 1 cI1 t:, rC CC•t, 1 1 L�'
till' .il': r 1 l..)li�l 1 t .it
to 1l;I:;l r:.tltc1?(t(�1
85-52
II)rary orche:�.;r It
YO1.1, llM1 }1)- tllC' clll':1i;'0dUI C'u th 10St of t11e
� idcut0he 14it11 the Iibrary s n!eLli;l c I-cv:. Thu taps-n!, xv;:s done all
oc•er D;!Jc County at e,1eh of the artistsstudios.
'>1
t`i;lrgarita Cano, Community Relations Department Coordinator of
,s.
the Miami -Dade Public Library System, has been Project Director of
this program; she will continue to be in charge of the implementation
.'.
of the project when traveling to Washington, D.C. this summer and to
all other future locations.
G. ONGOING ACTIVITIES:
The exhibition and series of related programs will be moving to
A= :Z..:
W:lshington, D.C. the summer of 1984. This move is being cosponsored
by TV Channel 23 and the Cuban American National Foundation. The
receiving Institution will be i�lerirlian House International which
a .-
_,'!;
will be providing staff support and in -kind services in Washington
Rc•presentitiv.-s from all the Dade County institutions that were
involvccl frith this program have been invited to be present at the
opening on .June 11 th .
The exhibition and programs fail l cont iniju to travel to other
areas. The Minlni -Dade Public Library System uil l rcm1 !in committed
to this onocing project which is bringing national visibility to Lade
County. There is no.. the possibility it will also travel abroad to
Paris, FrI-!nce and to several Latin Ai;lerican countries at no cost to
Dale County .
7. TR NSFE:".:113II.1T1':
The Niami I):l.l: Public Library Systc,.i has dox-.-loped this pilot
project as swii,.-thing other collntio vittil sirlilar ctll,lic corponcnts
can c�.-sj ly pursue:. The f inanc:i l-;l ;U')J)(-)1-t in Dade County
can be ac:corinlished lollo,.:ing a i1.1il;lr p:lth in other countics by
co,--, a rahl C- resol►rcc:. This coopurat ion has set an ex.-lclrl c
UI i:'J;. :1 Co:l,lt Arcncy cin st,rvc, ;I., all cat;iiyst. Allis
111-0.] CC: t .11 sU LI11 1 tOd :1 Va r l et\' C. I i nZ� t i t11t 1U;1`' , Cc'rp,)I-:I i; ;111d
85-52
lr
s l 1.1 l l a ]' l"_• :1 C�:�r I I-L t U comIqufl l �_ j C
]il1 ' t
Of
to otlt. :'s afCC'� 1T1�' `"
As mode; l , this
Project c•�u1 1 tra�:•i to ,� ''^�•i�11.1tr�1 area t�
�ellerate a similar or parallel proe,racl "hich cou.I bcc aklapted to
acconodateloeal needs of other arc•us. The pro;-rairl has been %-.idcly
-Iccepted and there has been an overl:helnino citi-en participation
o1� as the pl•o,,l,am travels to other locations.
l:hich I, --'ill continue to gr
85-52
I
i
i
US $2.50
•
11
A2�
"W'I� Y
"T-.M kyj r:3'4 1 via
-won
. , _ ... � ._ _ _ . � - _ - _poco visitadas
EI turismo p
or tierras
��
19reironica Gould Stoddart
Indgenes
l exilio
r 1 ti
tnuchos otros
exados del mundo, los
s cubanos que se >radicaron
Ios Estados Unidos despu6s de la
bluci6n, tienen experiencias en
.ihdn, configuradas por su afin
a idaptarse a una culture nueva y
Arafia y a la vez mantener los
dos con Is. suya propia. La gene-
16n mis joven —en particular la
z; sali6 de Cuba en la nifiez-- se
t visto obligada a aceptar, a su
.anera, )as contradiceiones de dos
Aturas. El conocimiento que estos
asi nifios" tieneh de su pals natal
en gran parte indirecto y estd
tsado en recuerdos infantiles, en
que han oldo decir a sus nostdl-
cos padres y en las costumbres y
adiciones que sus families han
nservado tenazmente en su pa-
ia adoptive. Sin embargo, su pa-
LAf AL'Ttf
98,
imonio ejerce una influencia po-
` " ' '
rose en su vide y su sentido de
Las obras presented&# en la
entidad. A horcajadas sobre dos
exposicl6n Itinerants La
undos, esta generaci6n siente la
paneract6n de Miami:
mccibn del pasado y a la vez se
. Nuevo artists# eubano-
iima con fuerza en el presente.
americanos, a poser de su
Es este ambiguo sentido de la
diversided, tienen on
adidad to que constituye la clave
una exposici6n itinerante de
comslin Is expesrkncta del
teas de nueve artistes Avenes na-
exilio que vincula a sus
creadores. Mlbrcolos do
i en Cuba yy criados en Miami
i cerrada cbmunided de exilia-
Cenisacohaps por. Juan
.. ,._ ..�_�._.._
Annssfilei "aril ei a Ia ves
I ' r6� in el M�useu:00ib
y' Culturs de-Miamt bi
ad que ya esft>h haciendi
"Ante aportq sl sou' , a
e la cluda$. � mnest `.
nesta en Is, Merl,dl,
national en Washtr�to" l
e.. estuvo abierta al.:l1
me el verano: La exppQ�e�3
rt tambi6n . Muevn . Yo>I
Iconogriflco r onfrleo,
inlentras 00 la
va" � conrtfnriccl6�!� tcnlca
un >liilxte, di lyispr Trnsobores,
iee'; h'�m1b! i iutpicios .;
populsrof'" #rich in et
010 . AM A www In wi&M dk&MHdw
del huMort a�reahil-
w
1
Aum Cubsno do AM y Cultun
NOVIEMBRE-DICIEMBRE 1984 SS
a
r
Veironi it Gould 8toddart
infigenes
��1 exiYio
I ,#dual, gtie machos otros
exiliados�'del mundo, los
i cubanos que se radicaron
os EstVoa Unidos despues de la
oluci6tienen experiencias en
,ihdn, configuradas por su afin
a sdaptarse a una cultura nueva y
Arafia y a la vez mantener los
tios con la suya propia. La gene-
�6n mds joven —en particular la
sali6 de Cuba en la nifiez— se
a visto obligada a aceptar, a su
4nera, las contradieciones de dos
Aturas. El conocimiento que estos
asi nifios" tienen de su pats natal
on gran parte indirecto y estA
isado en recuerdos infantiles, en
que ban otdo decir a sus nostAl-
cos padres y en ]as costumbres y
adiciones que sus familias ban
nservado tenazmente en su pa-
ia adoptiva. Sin embargo, su pa-
imonio ejerce una influencia po-
rosa en su vida y su sentido de
entidad. A horcajadas sobre dos
undos, esta generaci6n siente la
racci6n del pasado y a la vez se
ima con fuerza en el presente.
Ea este ambiguo sentido de la
Alidad to que constituye la clave
°una exposici6n itinerante de
ia; de nueve artistasi6venes na-
1.:'
n Cuba yy criados en Miami
errada cbmunided de exilla-
iageneracibnd��ismi•N�e-�;,
late$ cubano"4" irlo, tio' �""; W
ur6 en el. Muaeo VOilin -Ae:
y Cultura- de Ujam#, itueva"
d que ya esti Wendo- Un'.'
tante aporto al nnu»do .
e Is cludad, Lx inueat
ats en la Meridtari;. Oil"
ational en Washington,C;
t bi 1 pbbyii;o°
LAf AaTtf
00
Ida w taa W
Las obras presentsdas on la
exposleft Itinerants to
generecl6n de Miami.,
Nueve artistes cubano-
amer/canos, a poser de su
diversidad, tienen on
comOn Is experiencia del
exilio que vincula a sus
cresdores. Midneoles de
CeMta, collape por Juan
donzil�=;'aiHb�,,�s a la vac
lie
nopriftco y ontrko,
inlentres guO. It
construce16# 6vfk nke
rnlxt�d*rP,.i"W' Traiobares,
titvi � < Pkiis
tarFGs�o, � _
POPU OA ' f, �!�1 �fda. on el
exlllo con in „sentld0
. es uvo a erta a _ { -<-P
refs el verano. Lr exppooeeici6n � �t hu , o *`Il "'A
Arr4 :. .
ri tambibn .Nueva Y: _ Y
A..
0
lines Cubans a Art$ y Culture
NOVIEMBRE-DICIEMBRE 1984 55
f
Es una exhibicibn de gran vigor,
considerando que es muestra de un
grupo pequeftio y relativamente
alslado de artistas. La muestra
express Is existencia bicultural de
ios expoaitores, que transcurre en
dos mundos, el estadounidense y el
cubano. Segdn Margarita Cano,
directors del proyeeto, se seleccio-
naron artistas educados en el Con-
dado de Dade que hubieran estu-
diado, enseflado o expuesto sus
obras en las instituciones de ense-
flanza superior del Area metropoli-
tans de Miami. "Todos ellos --dice
Margarita Cano— se desarroilaron
est6ticamente en Miami. Yo tenia
inter6s en analizar c6mo todos es-
4 AMCf3'CAS
LAf AftTCf
tos factures habtan afectsdo su vida
y su obra." Es una exposici6n
fascinante, Ilene de mitos y stnn-
bolos, interpretsciones surrelklis-
tas a inesperades yuxtaposieiones
de imAgenes. Aunque lot artistas
estAn vinculados por la experiencia!
del exilio, no forman escuela ni
tienen un eatilo en comdn. Sus
obras son tan individuates Como to
es su imagineria.
El mAs conocido del grupo, Juan
GonzAlez, es un dibujante de gran
maestria. Los retratos de sus fami-
liares y amigos parecen iconos y,
aunque son de una belleza obsesio-
nante, dejan entrever Is relaci6n
insegura del artists con los que le
10
rodean. El anadirlea ubjetot page
doa y pintsdos o tnareos de co
los hsce pareeer pequeffos altsres
Clue recuerdsfi lss adornadas 1MA
genes de is Virgo" y los cantos que
se ven en algunos hogares cubanos
Este velado simbolism8rel igioso se
aprecia tambi6n en Is obra de at-
gunos de los otros artistes. w
C6sar Trasobares express su'
bieulturalismo de una manes
mucho mAs directs. Una de las!
obras mAs graciosas de la expo-'
sici6n tiene de fondo una bander&
de los Estados Unidos contra Is
cual se destacan un lujoso traje =
blanco, de los usados por las quin-
ceaheras cubanas en su fiesta de
cumpieafios, y una serie de recuer-
dos del acontecimiento. Es un estu-
dio antropol6gico de una tradici6n
cubana, comentario mordaz de los
aspectos populares de la vida en el
exilio.
En sus construcciones de tkenica
mixta Maria Brito-Avellana tam-
bi6n usa simbolos de la vida diaria,
pero de modo mds sutil y pene-
trante. En obras tales como Des -
puts de la conquista, que expresa la
angustia de una muchacha que es-
ppeera que su pretendiente la flame
despudsode su aventura con 61, y
Mujer ante un espejo, sAtira del rito
del maquillaje, la artista examine
el papel que la mujer desempefla
en la sociedad traditional y Jos
conflictos que se le plantean al
vivir en un medio "liberado". Sus
obras, como recuerdos medio olvi-
dados, Crean mundos conmovedo-
res que tratan el tema de la identi-
dad personal.
�..as obras de Is exposicl6n son
:an individuales como su
maginerla. En su escultura de
Unica mixts, Mujer ante un
3spolo, a to extreme lzquierds,
Varla Brito-Avellans use los
.osm6ticos femeninos par#
+xplorar el tema de Is Idenlidad
)Orsonal. En Colores b8slcos,
'oto superior de to fzqulerds,
*Ios MacIA reestructura Is
4.0clad y pone al descublerto
4 mundo desmuchos estratos,
eto de simbolos hist6rkos y
'aglosoo. Emlllo Falero, on -
�tcchachn con turbanto fronte a
,4 Mondrian. foto Inferior de to
r ,uIerda, yuxtepone
nlosamenp un retrato del
to XVII y una obre geom6Wca
siglo XX. Pablo Cano
ombine el cublsmo, el
1,i nseimlento itallano y eI
al7structivlsmo on su collage
� 1a16rico Proyecto Saussolos,
404, a Is d nche
LAf ALITCY
Una de las maneras en que estos
artistas reconcilian sus dos mun-
dos es al parecer, una sorprendente
combinaci6n de imigenes. Carlos
Macid, por ejemplo, en sus agua-
fuertes potentes y meticulosos re-
vels un mundo de muchos estratos,
ileno de una extrafta variedad de
simbolos hist6ricos y religiosos
procedentes de diversas culturas.
En sus pinturas &I 61eo y las gran -
des fachadas arquitect6nicas su
gusto por el ilusionismo se eviden-
We en Is colocael6n torcida de las
puertas y ventanas y las capas
surrealistas y desconchadas del
exterior de los edificios.
Emilio Falero, por su parte, es
ingenidsoyesprichoso en susyuxta-
posiclones del arte de grandes pin-
toree pret6ritos. En ou Muchacha
con turbante jrente a un Mondrian,
por ejemplo, la famosa joven de
Vermeer, del siglo XVII, aparece
delante de Is pintura geom6trica
de Mondrian par& revelar la ar-
monla esencial existente entre dos
obras maestras del arte holand"s, a.
85- 2
La *bra lnstalsd6n: Proyeetlonee, de Fernando t'iarda, exuda
lnmemidex y audsels ge*motries
pesar de existir tres siglos de di.
ferencia entre ambas.
Y Pablo Daniel Cano mezela esti-
los tan disimiles como el cubismo,
el renacimiento italiano y el cons.
tructivismo en grandes pinturas
metaf6ricas que dehen mucho a Is
influencia barroca de Is gran pin -
tors cubana del sigio XX, Amelia
Pelllez.
Una dulce nostalgia caracteriza
)a serie de abstracciones nebu)osas
de eseenas de is tierra realizades
por Mario Rencomo, que se titulan
,Y(whr inxular: Jardinrs inviaibles,
y estin inspirsdas en e) poems del
destacado eacritor cubano Jost
Lezama Lima. La perspectiva que
Fernando Garcia tiene de su am.
biente es mis inmediata. En obras
que se refieren a lugares especl-
ficos (mostrados en video en )a ex-
posici6n), el artists transforms
cosas corrientes —un maps de
Miami, Is carretera a Cayo Hueso,
Is estela que deja un avi6n— en
afirmaciones artisticas de nuestro
mundo.
Aunque todos los artistas esen
dentro de la corriente principal del
arte contemportneo internecional,
"au patrimonio es esencial en au
arts", segdn observ►el curador de
)a exposici6n, Giulio V. Blanc,
tambitn miembro de La genera-
ei6n de Miami. Sin embargo, ana-
de, "su etnicidad no es false ni
estereotipada; no es tampoco deri-
vada ni provinciaW. Min bien, Is
intensidad de is experienela del
exilio ha engendrado en ellos uns
aguda i ntrospeccibn y el surgimien.
to de nuevas realidades.
'El efecto defisitivo de Is ex-
posici6n sera sehalar una tpoes
—observa Helen L Kohn. critics
de arte del Miami Herald—, ys que
no volverd a haber un grupo igual
de artistas, uns verdadera'segun-
ds' generaci6n de Miami, ni otra
serie de eircunstancias hist6ricas
comparables alas que determina-
ron que este grupo lograra tanto
txito." M
TEATRO
Por Hugo Medrano
Teatro
latinoamericano
en Nueva York
Durante 10 dfas del mee de
agosto, Nueva York disfru-
t6 mas que nunca del ";ua•
to"latino. Lasmelodlaadelasguita-
rras, el frenesi de las trompetasyel
ritmo de los bongos se aduefiatoe
del Central Park, enfeArorizando it
miles de espeetadorea que desafis-
ban ei ealot de la noehe ett of
impresfonaro Teatr* DebcorW
Al mlatfo tiempo, ea el Pablie
Theatte; mWeamente eonvertide
en Baled& de ante, el famoso pintor
ardentino Carlos Alone% el "nvye-
rican" Jorge Souto y el puertorri-
quefio Rafael Colby Morales, eatte
otras p1htores de renombre, expo
aim sm*bras junto a Lan mueattas
audaesa y provocatiroa dd jown
am Latino de ice Estrdoa Unidoa.
Las eustro sales de teatrb se do-
rrotaban de pdb)ieo estadounidesr
me y latinoameriesno pars pie" n-
ciar Its ditimas expresfonea del
testro contemporineo de Centro y
Sudarrterics. Simuittnea.tnente, fil-
med eldsleas y nuevas, y videos de
Latinos residentes en Amtries La-
tina y los Estados Unidos, se pra-
yeetsban en uns sale ctntrica que
resuitabs pequena pars satisfaeet
is curiosidad de Canto pdblico. En
is Cooper Square, uns enorme car -
pa multicolor protegis del sot las
ediciones de Los eseritores Latino
americanos mtisfamosmy a cientos
de eompradores lvidos que asistian
a Is Feria del Libro. Y durante todo
e) din, en el East Village, el Bronx.
Upper Manhattan y Queens, diver -
sea manifea4ciones de testro talle-
jero, mdalmy poesta expresaban el
lengu*je srUstico particular de un
continenteyde un segmento impor-
tante deAs poblaci6n estadouni-
dense:'o lAIno.
Ua'eneventro, una msnifests-
ci6n, vosadebracibn, un regocijw.
todo eeo be el Festival Latino en
Nueva York.
Detris de este importante acon-
tecimiento esttA Is vigorosa presen-
P l�.Jdoseejt..(A Chorus Live)
s delores pals. yr o
1b . � del psis, y au
or ` bit: The New York
Shale iMeltival. Pap oorui-
ders;ibistro de Broadway se
its. y aburrido y espers
uei'R
paci6n social y sms-
ft
de nuevas avenidas
P-V6# tirenelteatrodelas
85-5
Coinbox entertainment (pinball, video games, moving pictures
operated by coins); or
Casino gambling, games of chance or reward; or
(iv) Any unlawful or illegal business, use or purpose, or for
any business, use or purpose which is immoral or disreputable (including
without limitation "adult entertainment establishments" and "adult"
bookstor} or extra -hazardous, or in such manner as to constitute a
Ui
!6f any kind (public or private), or for any purpose or in any way
Uj
ifr vLa on of the certificates of occupancy (or other similar approvals
al4li0ble gover nmental authorities).
e
o1
C U
Developer agrees that if casino gambling shall in the future become
`$ legal in the City of Miami,
Developer may not use the Improvements or any portion of the
Leased Property for casino gambling purposes without the prior consent of
the City, and if the City shall consent, the parties shall in good faith
y.
negotiate an appropriate modification or amendment to this Agreement,
} which shall result in the Annual Basic Rental to the City in excess of 35%
a of Net Income Available for Distribution;
(ii) The City shall not use or authorize the use of any portion of
Bayfront Park (other than the Leased Property) for casino gambling
4 purposes, without the prior consent of Developer, and if Developer shall
consent, the parties shall in good faith negotiate an appropriate
modification or amendment to this Agreement intended to reflect the
changed conditions resulting from such use of Bayfront Park, provided,
however, that any modification or amendment to the Agreement shall not
result in an Annual Basic Rental to the City. of less than 35% of Net
Income Available for Distribution.
85-/53,
- 29 -